Object biographies and interdisciplinarity
Object biographies and interdisciplinarity
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对象传记和跨学科性
DOI:
10.1098/rsnr.2019.0016
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发表时间:
2019
期刊:
影响因子:
--
通讯作者:
Roos A
中科院分区:
文献类型:
--
作者:
Roos A
The history of science and medicine has taken a visual and material turn. Analyses of scientific objects and illustrations—their iconography, provenance and role in discovery—recover their embodied relationship to the world. Despite the historian’s love of the text, the object or image is no longer a mute adjunct to historical inquiry. Science, after all, is about creation and observation, and, dare I say it, objectivity. Interdisciplinary studies are also timely. Several recent exhibitions have explored the way in which the ingenuity of science and technology has stimulated artistic expression, and have considered how the arts have given impetus to innovation and technological change. In September 2019, the Science Museum is partnering with BBC Radio Four in an exhibition and radio series called ‘The art of innovation: from enlightenment to dark matter’. 2 ‘Iconic artworks and objects of scientific discovery’from the Science Museum Group Collection will be displayed alongside works by artists such as Hepworth, Hockney, Lowry, Constable, Boccioni and Turner. 3 Two Temple Place in London had a recent exhibition about the Victorian polymath John Ruskin, who in his cloud studies noted that he could observe the effects of industrialization on the weather. 4 The historian Simon Werrett has recently shown how early modern experimentalists repurposed scrap and scientific instruments in acts of ‘thrifty science’, using their homes as laboratories as they upcycled their material possessions to learn about the natural world. 5 Science, after all, is about creative and clever cross-fertilization: home truths. This year, 2019 is also the 500th anniversary of the death of the ultimate interdisciplinary thinker, Leonardo da Vinci, and the current issue features a paper published by Philip L. Richardson about da Vinci’s discovery of dynamic soaring, a flight manoeuvre performed by birds to extract energy from the gradient of wind velocity (wind shear) for sustained flight. In a close observation of Leonardo’s drawings, Richardson demonstrates that Leonardo ‘predates by almost 400 years the first generally accepted explanation of the physics [of dynamic soaring] by Lord Rayleigh in 1883’. 6 It is one of Leonardo’s most significant discoveries in