NOISY FIELD EXPOSURES, or what comes before attunement
NOISY FIELD EXPOSURES, or what comes before attunement
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噪声场暴露，或调谐之前发生的情况
DOI：
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发表时间：
2020
期刊：
影响因子：
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通讯作者：
Vickie Zhang
中科院分区：
文献类型：
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作者：
Vickie Zhang
在协调到来之前，暴露是作为一个身体的必要事实。这篇照片文章是对“曝光”一词的两个含义的玩弄：肉体曝光和摄影曝光。我提供后者是为了留在前者的时刻，揭露澳大利亚乡村小镇实地考察中的多个失调场景。这篇文章采用了信息论中信号和噪声之间的经典区别，在事件可能被确认为有价值的信号或作为不需要的静态信号被丢弃之前的不确定时刻暂停，将来自现场的故事和图像与米歇尔·塞雷斯的《寄生虫》、罗兰·巴特的《Camera Lucida》和保罗·哈里森关于肉体遗骸的文章的摘录编织在一起。最终，本文的建议是，“协调”主要并不在于协调。相反，作为一种方法论原则，我提出这种协调最初——并且充分地——表明了对暴露事件的尝试、脆弱性和承诺。
Before attunement comes exposure, the necessary fact of being a body. This photo essay is a play on two meanings of the word exposure: corporeal exposure and photographic exposure. I offer the latter in order to stay with moments of the former, exposing multiple scenes of misattunement from fieldwork in a small country town in regional Australia. Picking up the classic distinction in information theory between signal and noise, this piece pauses at the moment of indeterminacy before an event might be affirmed as valuable signal or discarded as unwanted static, weaving stories and images from the field with excerpts from Michel Serres’ The Parasite, Roland Barthes’ Camera Lucida and Paul Harrison’s essay on Corporeal Remains. Ultimately, this essay’s suggestion is that ‘attunement’ is not primarily about attunement. Instead, as a methodological principle, I offer that attunement initially – and sufficiently – gestures towards an attempt, a vulnerability and a commitment to the event of exposure.
后人类协调：美学、权威和创造性倾听的艺术
影响因子：
0.7
作者：
Brigstocke J
通讯作者：
Brigstocke J