Sensing the music: oral mnemonics as a technique of affective sensitization in Japanese “court music”
Sensing the music: oral mnemonics as a technique of affective sensitization in Japanese “court music”
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感知音乐：口语记忆术作为日本“宫廷音乐”中情感敏化的技术
DOI：
10.1080/1683478x.2019.1629472
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发表时间：
2019
影响因子：
--
通讯作者：
Giolai Andrea
中科院分区：
文献类型：
--
作者：
Giolai Andrea
受人类学更广泛的“感官转向”的启发，对日本传统表演艺术的研究最近承认，与演员和音乐家一起进行实地考察是一种强烈的身体接触。从类似的民族志学徒的角度来看，本文表明howshōga，日本宫廷音乐（gagaku）中使用的口头记忆系统可以作为情感敏感化的技术。虽然过去的研究已经成功地解释了类似的“声音-符号记忆系统”的功效，解开了它们隐藏的逻辑，但这项研究强调了whichshōgaoperates在情感层面上的方法，使从业者能够相互感受。分析了Nanto Gakuso团体的成员如何使用它来检测演奏和舞蹈的动觉品质之间的共鸣，文章认为thatshōgais不仅是一种记忆手段，而且是一种体现音乐传播的复杂手段。
Inspired by a broader “sensory turn” in anthropology, research on Japanese traditional performing arts has recently acknowledged the intense physicality of doing fieldwork with actors and musicians. Moving from the similarly situated perspective of ethnographic apprenticeship, this article shows howshōga, the oral mnemonic system used in Japanese court music (gagaku), can function as a technique of affective sensitization. While past studies have successfully explained the efficacy of similar “acoustic-iconic mnemonic systems,” untangling their concealed logic, this research highlights the ways in whichshōgaoperates on the level of affect, enabling practitioners to feel with each other. Analyzing how members of the group Nanto Gakuso use it to detect resonances between the kinaesthetic qualities of playing and dancing, the article maintains thatshōgais employed not only as a mnemonic device, but also as a sophisticated means of embodied music transmission.