Advancements in the Philosophy of Design
Advancements in the Philosophy of Design
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设计哲学的进步
DOI：
10.1007/978-3-319-73302-9_25
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发表时间：
2018
期刊：
影响因子：
--
通讯作者：
Rodgers P
中科院分区：
文献类型：
--
作者：
Rodgers P
在一个数字化生产和颠覆的时代，本章探讨了设计如何在虚无的哲学下发挥最大的作用。Nothing是某物的代名词，Nothing现在是设计的衍生项目。因此，设计需要一种新的探索形式，从虚无的设计中产生新的见解和新的工作哲学。设计被插入到数字阶段称为社交电商作为一个重要组成部分的生产和交换没有和谎言的核心服务。也就是说，生产什么都不需要，也不生产什么，只需要什么都不需要的物流。无物的设计和生产扰乱了设计哲学--它的历史，它对“更好的世界”项目的学徒，西蒙的（《人工科学》，麻省理工学院出版社，剑桥，马萨诸塞州，1969年）“首选国家”，它对时尚的热爱，等等，在拆除了“工业”之后，还没有任何东西产生出它最迷人的产品，没有产品的资本生产的固定。在无物设计的生产时代，一个现在效用可疑的学科，衍生物的产品，在条件空间中运作，已经将其范围缩小到普遍创新的信念中，现在必须发展一种新的操作哲学。
In an era of digital production and disruption this chapter probes how design might now best labour under a philosophy of nothing. Nothing is a pronoun for something and nothing is now the derivative project for design. As such design requires a new form of inquiry to produce new insights and a new working philosophy from the design of nothing. Design was inserted into the digital stage called social commerce as an essential component for the production and exchange of nothing and lies at the core of service. That is, the production of nothing requires, and produces, nothing but the logistics of nothing. The design and production of nothing has disrupted the philosophy of design – its histories, its apprenticeship to the project for a ‘better world’, Simon’s (The Sciences of the Artificial,MIT Press, Cambridge, MA, 1969) ‘preferred state’, its devotion to fashion, and so on, and having dismantled ‘industry’, nothing has produced its most beguiling product yet, the fixation of capital production without a product. In the era of the production of nothing design, a discipline of now questionable utility, product of the derivative, operating in conditional space, has collapsed its scope into the belief in universal innovation, and must now develop a new operative philosophy.