Scale and Contour : Two Components of a Theory of Memory for Melodies
Scale and Contour : Two Components of a Theory of Memory for Melodies
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音阶和轮廓:旋律记忆理论的两个组成部分
DOI：
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发表时间：
2005
期刊：
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通讯作者：
W. J. Bowling
中科院分区：
文献类型：
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作者：
W. J. Bowling
本文提出了一个关于旋律如何在长时记忆和短时记忆中储存的双成分模型。第一个组成部分是过度学习的音阶感知运动图式。证据支持的规模和事实，他们似乎有一个基本上对数形式的跨文化的寿命稳定性。第二个组成部分，旋律轮廓，被证明是独立的音高间隔序列的记忆功能。一个新的实验报告，使用识别记忆范式，音调标准刺激混淆相同的轮廓比较，无论是确切的换位或音调的答案，但不与无调比较刺激。这一结果与早期使用无调性旋律的作品形成对比，并显示了两个组成部分，规模和轮廓的相互依存关系。
This article develops a two-component model of how melodies are stored in longand short-term memory. The first component is the overlearned perceptual-motor schema of the musical scale. Evidence is presented supporting the lifetime stability of scales and the fact that they seem to have a basically logarithmic form cross-culturally. The second component, melodic contour, is shown to function independently of pitch interval sequence in memory. A new experiment is reported, using a recognition memory paradigm in which tonal standard stimuli are confused with same-contour comparisons, whether they are exact transpositions or tonal answers, but not with atonal comparison stimuli. This result is contrasted with earlier work using atonal melodies and shows the interdependence of the two components, scale and contour.