Exit Monologues in Roman Comedy
Exit Monologues in Roman Comedy
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罗马喜剧中的退出独白
DOI：
10.1086/362568
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发表时间：
1942
影响因子：
1
通讯作者：
Henry W. Prescott
中科院分区：
文献类型：
--
作者：
Henry W. Prescott
在之前关于链接独白的内容和功能的讨论中，我们发现它们的主要作用是促进持续的行动。就其本身而言，退出独白通常提供了一个潜在的空白阶段，在开始下一章的行动之前，剧作家有机会用一个实质性的停顿来打断行动。在这种程度上，连接独白和退出独白在功能上是对立的。但潜在的空缺阶段不一定实现。在接下来的场景中出现的人物可能会立即出现，没有任何明显的停顿。由于传递给我们的喜剧文本没有舞台指示，2个现代编辑依赖于每种情况下的上下文，以确定一个潜在的空舞台是否是实际的。空缺的舞台、实质性的停顿和随后的表演划分的问题是一个有争议的话题在这方面，应当指出，
JN A previous discussion of the content and function of link monologues' we found that they served primarily to promote continuous action. In itself the exit monologue usually provides a potential vacant stage before the beginning of the next chapter of action and an opportunity for the dramatist to interrupt the action with a substantial pause. To this extent link monologue and exit monologue are antithetical in function. But the potential vacant stage is not necessarily realized. The characters who appear in the next scene may emerge immediately, without any considerable pause. Since the texts of comedy transmitted to us contain no stage directions,2 modern editors are dependent upon the context in each case in order to determine whether a potential vacant stage is actual. The problem of vacant stages, substantial pauses, and consequent act divisions is a subject of controversy.3 In this connection it should be observed that,