The Temporality of Shapes: A Genealogy of Early Pottery-Making Practices in the Andean?Amazonian Borderland
The Temporality of Shapes: A Genealogy of Early Pottery-Making Practices in the Andean?Amazonian Borderland
复制标题
形状的暂时性：安第斯山脉和亚马逊边境地区早期陶器制作实践的谱系
DOI：
10.1007/s10816-022-09587-1
复制
发表时间：
2022
影响因子：
2.3
通讯作者：
Omori Takayuki
中科院分区：
文献类型：
--
作者：
Kanezaki Yuko;Omori Takayuki
本研究透过对考古学基本实践--年代学建构的重新思考，探索一种不同于“主叙事”的历史书写方式。考古学年表经常被用作一个类似博物馆的时间轴，在不同事物的历史上强加一个统一的时间性，每个事物都有其变化的节奏和速度。我们重点讨论了乔治库布勒的论点，他批评了这一论点，并在他的“形式序列”概念的基础上提出了一个新的时间框架。这个新的时间框架使我们能够重新创造制造事物的任务场景的内部时间性。我们进行了一个案例研究，在安第斯-亚马逊边境地区，在陶器风格发生了根本性的变化，在公元前第二个千年在这里，类型学的方法，序列和年龄估计都重新考虑重建区域年表。我们观察到，大约在公元前世纪，当地的陶器风格结构出现了“断裂”。当时发生的变化不仅仅是新技术对当地传统的补充，而且是陶工身体、制作工具和材料之间的物质关系系统的转变，构成了陶器制作的任务。我们无法从单一的、单线的年代学中理解复杂多样的历史叙事。相反，我们通过追求形状的多重线性时间性来重新审视各种场景的时间性。随后，通过将它们交织在一起，可以创建一个区域历史。
This study explores a different way of writing history as an alternative to the “master narrative” by rethinking the fundamental practice of archaeology—the construction of chronology. Archaeological chronology has often been used as a calendar-like time axis, imposing a uniform temporality on the history of diverse things, each with its rhythm and pace of change. We focused on the arguments of George Kubler, who criticized it and proposed a new chronological framework based on his “formal sequence” concept. This new chronological framework enabled us to recreate the internal temporality oftaskscapesof making things. We conducted a case study in the Andean–Amazonian borderland, where a radical change in pottery styles occurred in the second millennium B.C. Here, the methodologies for typology, seriation, and age estimation were all reconsidered to rebuild the regional chronology. We observed a “break” in the local pottery-style structure around the fourteenth century B.C. The changes that occurred at the time were not merely the addition of new technology to the local tradition but the transformation of the system governing the material relationships among potters’ bodies, making tools, and materials, composing the task of pottery-making. We cannot reach the complex and diverse historical narratives from a single, mono-linear chronology. Instead, we revisit the temporality of varioustaskscapesthrough the pursuit of the multilineartemporality of shapes. Subsequently, a regional history can be created by interweaving them together.