Terpsichore in Sneakers: Post-Modern Dance
Terpsichore in Sneakers: Post-Modern Dance
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运动鞋中的 Terpsichore：后现代舞
DOI：
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发表时间：
1980
期刊：
影响因子：
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通讯作者：
S. Banes
中科院分区：
文献类型：
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作者：
S. Banes
借鉴后现代的观点和关注，通知她开创性的Terpischore在运动鞋，莎莉贝恩的写作舞蹈文件的背景和前卫和流行舞蹈的发展，分析个别艺术家，表演和整个舞蹈动作。凭借对不断变化的文化动态的把握，巴内斯展示了后现代舞蹈如何与其他对立的，往往被边缘化的舞蹈文化链紧密相连，并考虑了某些类型的舞蹈如何从边缘走向主流。巴内斯首先考虑舞蹈批评本身的行为，探索其模式，方法和潜在的假设，并检查其他批评家的工作。她追溯了当代舞蹈的发展，从早期的作品，如默西坎宁安和乔治巴兰钦等有影响力的人物，以当代编舞莫利萨芬利，卡罗尔阿米蒂奇，和迈克尔克拉克。她分析了贾德森舞蹈剧院和工人舞蹈联盟的贡献，拉丁后现代舞蹈在纽约的出现，以及黑人爵士乐在俄罗斯的影响。此外，巴内斯还探索了霹雳舞和弗雷德·阿斯泰尔的醉舞等非传统的表演模式。"
Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the drunk dancing of Fred Astaire."