Performative Categories and Symbols of Passage in Rural Greece
Performative Categories and Symbols of Passage in Rural Greece
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希腊乡村的表演范畴和象征
DOI：
10.2307/540775
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发表时间：
1981
期刊：
影响因子：
--
通讯作者：
M. Herzfeld
中科院分区：
文献类型：
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作者：
M. Herzfeld
希腊爱国者学者斯皮里登·赞贝利奥斯(？1813-1881年)在1859年发表了一篇长篇论文，阐述了流行的希腊语单词traghudho1的起源。1这个术语通常被注释为“我唱歌”，尽管这种翻译的不足之处在本文中将变得非常明显。赞贝利奥斯的论文被认为是试图为现代用途建立古老的根源，而不是纯粹的无私的学术作品。它结合了热情的意识形态承诺，以证明现代希腊的希腊根源，以及更个人化的目标，即向民粹主义诗人(赞贝利奥斯的前朋友)迪奥尼西奥斯·索洛莫斯得分。然而，它的学术意义超越了这种特殊的争议。作为希腊出现的第一个关于本土表演体裁及其术语的讨论，它在十九世纪末之后仍然是独一无二的。事实上，它代表了现代学术中出现的最早的白话文体裁分类研究之一。赞贝利奥斯认为，Traghudho是古希腊悲剧《悲剧》的衍生品，这一点并不错误。以一种更具思考性的方式，他进一步争辩说，这种词源关系只能解释为一个坚不可摧的“历史事实”的表面效应：现代希腊人的歌曲保留了阁楼悲剧的精神和本质。作为…的证据
THE GREEK PATRIOT-SCHOLAR Spyridon Zambelios (?1813-1881) published a lengthy disquisition in 1859 on the origins of the demotic Greek word traghudho.1 This term is usually glossed as "I sing," although the inadequacy of that translation will become all too evident in the present essay. Zambelios' treatise, which was presented as an attempt to establish ancient roots for modern usage, was not conceived as a purely disinterested work of scholarship. It combined a passionate ideological commitment to proving the Hellenic roots of modern Greece with the more personal goal of scoring points off the demoticist poet (and Zambelios' former friend) Dionisios Solomos. Its scholarly significance nevertheless transcends such particular disputes. As the first discussion of an indigenous performative genre and its terminology to appear in Greece, it remained unique beyond the end of the nineteenth century. Indeed, it represents one of the earliest studies of vernacular genre classification to appear anywhere in modern scholarship. Zambelios argued, not inaccurately, that traghudho was a derivative of the Classical Greek tragodia, "tragedy." In a much more speculative vein, he further contended that this etymological relationship could only be explained as the surface effect of an indestructible "historical fact": that the songs of the modern Greeks retained the spirit and essence of Attic Tragedy. As evidence of