Comparison of Musical Expression of Distinguished and Unnamed Pianists in Tonal Tension and Attraction Models
Comparison of Musical Expression of Distinguished and Unnamed Pianists in Tonal Tension and Attraction Models
复制标题
杰出钢琴家与无名钢琴家在音调张力和吸引模型中音乐表现力的比较
DOI：
10.2991/caai-18.2018.38
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发表时间：
2018
影响因子：
1
通讯作者：
Takuya Takeda
中科院分区：
文献类型：
--
作者：
T. Mizutani;Shota Nakahara;Takuya Takeda
本文分析了几位著名钢琴家钢琴演奏中的音乐表现。在分析中，我们使用了F。勒达通过分析，得出了它们在音乐表现上的一些具体特点。在这篇文章中，“无名”钢琴家的表演进行了分析，在相同的模式，并比较他们的杰出钢琴家。通过分析，得出了著名钢琴家与无名钢琴家在音乐表现上的差异是十分明确的结论。关键词-音乐表现;调性音乐理论;调性张力;调性吸引;多元回归分析
Musical expression of piano performances by some distinguished pianists has been analyzed by the authors. In the analysis, the tonal tension and attraction models have been used, those are introduced in the literature of the generative theory of tonal music named “Tonal Pitch Spaces” by F. Lerdal. From the analysis, some specific features of their musical expression have been obtained. In this article, performances by “unnamed” pianists are analyzed in the same models and compared them to those by the distinguished pianists. By the analyses, the results are obtained, e.g. the difference between the musical expression by the distinguished pianists and that by unnamed pianists is very definite. Keywords—musical expression; tonal music theory; tonal tension; tonal attraction; multiple regression analysis