The Making and Knowing Project: Reflections, Methods, and New Directions
The Making and Knowing Project: Reflections, Methods, and New Directions
复制标题
DOI:
10.1086/688199
复制
发表时间:
2016-03-01
影响因子:
--
通讯作者:
Smith, Pamela H.
中科院分区:
文献类型:
--
作者:
Bilak, Donna;Boulboulle, Jenny;Smith, Pamela H.
36 West 86th V 23 N 1 including portrait medals in sand molds; life castings of delicate butterflies, roses, and spider webs; and castings of such large-scale objects as cannon. The manuscript also describes processes for making gemstones, methods for the taxidermy of composite animals (eg, a kitten with wings), and making papiermâché masks. Other entries discuss methods for luring and capturing animals to be used in life castings; the author-practitioner also treats land surveying and even describes practical jokes and sleight-of-hand tricks. This multifarious collection has not been published or thoroughly studied, and while it shares many similarities with other “how-to” texts from the Renaissance, particularly those from the genre known as “books of secrets,” its descriptions of a practitioner’s careful experimentation and engagement with materials render it quite rare among such technical writing. 2 Its contents thus offer a remarkable window into the early modern workshop, revealing not only the materials and methods of artisans and practitioners, but also insights into how and why nature was studied, investigated, represented and used in art, collected, and appreciated in the early modern period. It grants an invaluable view into the continuous, methodical experimentation through which art objects were created by skilled labor and how the process of artistic creation yielded insights into knowledge of nature. The digital critical edition of this extraordinary text will be a significant addition to a relatively small body of early modern technical treatises, and its open access will provide diverse audiences easy access to the contents of the manuscript.