No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”
No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”
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不再是自己？：构建数字化的死后“表演”
DOI：
10.1353/cj.2010.0019
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发表时间：
2010
期刊：
影响因子：
--
通讯作者：
Lisa Bode
中科院分区：
文献类型：
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作者：
Lisa Bode
银幕表演总是以技术为媒介，以片段的形式记录下来，然后重新组合，通常是为了创造一个连贯的角色。但也可以在演员死后通过数字技术将他或她的面部图像嫁接到替身上，或者以其他方式重新呈现演员作品的元素，从而创造表演。数字化的死后“表演”在多大程度上代表了我们对银幕表演和表演者存在的观念的转变、违反或延续？
Screen performances are always technologically mediated, recorded in fragments, and recomposed, usually to create a coherent character. But performances can also be created after an actor’s death by digitally grafting an image of his or her face onto a body double or otherwise recontextualizing elements of the actor’s work. To what extent do digitally enabled posthumous “performances” represent a transformation, violation, or continuation of our conceptions of screen acting and performer presence?