The Oxford Handbook of Victorian Literary Culture
The Oxford Handbook of Victorian Literary Culture
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牛津维多利亚文学文化手册
DOI：
10.1093/oxfordhb/9780199593736.013.012
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发表时间：
2016
期刊：
影响因子：
--
通讯作者：
Thomas J
中科院分区：
文献类型：
--
作者：
Thomas J
插图是维多利亚时代小说的一个决定性特征，尽管事实上它在出版版本和学术著作中都被边缘化了。本文论证了插图作为文本、图像和读者之间解释性参与过程的重要性。在此过程中，本文参与并概述了一种新的插图研究的出现，该研究将插图视为独特的批评对象，并分析插图与其所附文字、文化背景和其他图像的关系。这篇文章以一系列经典但不太知名的作家（包括查尔斯·狄更斯、威廉·梅克皮斯·萨克雷、安东尼·特罗洛普、弗洛伦斯·蒙哥马利、简·塞西和艾伦·伍德）小说中出现的图片为焦点。文章认为，这些作品中插图的存在会影响小说的阅读方式，并可以修改和塑造文本本身。
Illustration was a defining feature of the Victorian novel, despite the fact that it has since been marginalized in both published editions and scholarly work. This essay argues for the significance of illustration as a process of interpretative engagement between texts, images, and readers. In so doing, the essay participates in and outlines the emergence of a new illustration studies, which regards illustration as a distinct object of criticism and analyses the way that illustration signifies in relation to the words it accompanies, its cultural context, and other images. The essay takes as its focus pictures that appeared in novels by a range of canonical and less well-known authors (including Charles Dickens, William Makepeace Thackeray, Anthony Trollope, Florence Montgomery, Jane Sexey, and Ellen Wood). The presence of illustrations in these works, the essay argues, impacts on how the novels are read and can modify and shape the texts themselves.