Emotional and aesthetic antecedents and consequences of music-induced thrills
Emotional and aesthetic antecedents and consequences of music-induced thrills
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DOI：
10.2307/20445428
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发表时间：
2007-12-01
影响因子：
1.3
通讯作者：
Brown, Amber
中科院分区：
文献类型：
--
作者：
Konecni, Vladimir J.;Wanic, Rebekah A.;Brown, Amber
3项实验（N= 223）探讨了音乐诱发的兴奋或寒颤的意义。具体来说，不同形式和美学领域（国歌、故事、建筑、绘画）的先行（priining）刺激增加参与者对拉赫玛尼诺夫（Rachmaninoff）和海顿（Haydn）音乐的兴奋反应的能力被检验了。此外，研究人员还测试了是否经历过刺激对参与者随后的献血意愿、情绪和自我概念的不同影响。研究发现，虽然不同形式的先行刺激本身可以以一种可预测的方式诱发刺激，但这些启动刺激及其引发的刺激对随后由拉赫玛尼诺夫和海顿作品诱发的刺激的影响相对较弱。利他主义、自我概念和情绪的测量不受前因变量和刺激体验的影响。刺激往往伴随着深刻的审美体验，并提供其生理基础，但它们本身的心理意义有限。
The significance of music-induced thrills or chills was explored in 3 experiments (N= 223). Specifically, the ability of antecedent (priining) stimuli in different modalities and aesthetic domains (national anthems, stories, architectural objects, paintings) to increase the participants' thrills responsiveness to music by Rachmaninoff and Haydn was examined. In addition, the differential effects of having or not having experienced thrills on the participants' subsequent willingness to donate blood, and on their mood and self-concept, were tested. It was found that while the antecedent stimuli in different modalities could themselves induce thrills in a predictable manner, these priming stimuli, and the thrills they elicited, had relatively weak effects on the thrills subsequently induced by the Rachmaninoff and Haydn pieces. The measures of altruism, self-concept, and mood were not affected by either the antecedent variables or the thrills experience. Thrills may often accompany profound aesthetic experiences and provide their physiological underpinning, yet themselves be of limited psychological significance.