Sonance as a form of tonal fusion.
Sonance as a form of tonal fusion.
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响声作为音调融合的一种形式。
DOI：
10.1037/h0070587
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发表时间：
2018
影响因子：
5.4
通讯作者：
M. Metfessel
中科院分区：
文献类型：
--
作者：
M. Metfessel
目前认为音色是音高的同时融合或依赖于波形的观点已经得到了检验，并发现是令人满意的，但最近的实验也将证明音色与连续的音调融合或音调在结构上有区别，这些音调融合或音调存在于音调感知中。在声音颤音中可以找到共鸣的例子，在各种分音之上，所有分音的音高和强度都以每秒约7次的速率反复增加和减少，平均基频范围为半个音调。声波被拍了下来，连续的变化被画了出来。合成音调是通过警报器产生的，观察者被要求报告它们的音色;虽然几个权威机构定义的音色对于音调是相同的，但所有人都认为他们听到的和命名为音色的东西在每种情况下都是不同的。因此，训练有素的观察者能够区分音色（同时融合）和和声（连续融合）。连续的音调合成可能包含（1）感知中的某些常数，如元音质量或个人声音特征，以及（2）变量，例如歌唱中的颤音和其他周期性，以及语音中的语调类型。（PsycINFO数据库记录（c）2016阿帕，保留所有权利）
The current view of timbre as a simultaneous fusion of pitches or as dependent upon wave-form has been tested and found satisfactory, but recent experiments would also authorize a structural distinction from a successive tonal fusion, or sonance, found to be present in tonal perceptions. Examples of sonance are found in the voice vibrato, where there is present, over and above the various partials, a recurrent increase and decrease of pitch and intensity of all partials at a rate of about seven times per second, with a fundamental pitch extent of one half a tone on the average. Sound waves were photographed and successive changes graphed. Synthetic tones were produced by means of sirens and observers were asked to report on their timbre; although the timbre as defined by several authorities was the same for the tones, all decided that what they heard and named as timbre was different in each case. Trained observers are thus able to distinguish between timbre (simultaneous fusion) and sonance (successive fusion). Successive tonal syntheses may contain (1) certain constants in perception such as vowel quality or personal voice traits, and (2) variables, exemplified by the vibrato and other periodicities in singing, and intonation types in speech.(PsycINFO Database Record (c) 2016 APA, all rights reserved)