The Trauma Question
The Trauma Question
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创伤问题
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发表时间：
2008
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通讯作者：
Roger Luckhurst
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作者：
Roger Luckhurst
在这本书中，罗杰·勒克赫斯特介绍并推进了文化记忆和创伤研究领域，追溯了创伤的概念如何成为当代西方自我概念的主要元素。
创伤问题概述了创伤概念的起源，从19世纪60年代到1980年创伤后应激障碍的发明，跨越了精神、法律和文化-政治来源。它进一步探讨了从1980年到现在的“创伤文化”的性质和范围，借鉴了从文学、回忆录和忏悔性新闻到摄影和电影的一系列文化实践。这项研究涵盖了一系列不同的文化作品，包括托尼·莫里森、斯蒂芬·金和W·G·塞巴尔德等作家，艺术家特蕾西·埃明、克里斯蒂安·博尔坦斯基和特蕾西·莫法特，以及电影制作人大卫·林奇和Atom Egoyan。
对于那些寻求对创伤研究这一有争议且不断扩大的领域有更多了解的人来说，创伤问题是向前迈出的重要而迷人的一步。
In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self.
The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan.
The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.