Precarity's Pirate: The Fictive Afterlives of Idemitsu Saz?
Precarity's Pirate: The Fictive Afterlives of Idemitsu Saz?
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不稳定的海盗：出光沙兹的虚构来世？
DOI：
10.1017/s0021911822000547
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发表时间：
2022
期刊：
影响因子：
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通讯作者：
Leheny David
中科院分区：
文献类型：
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作者：
Leheny;David and Hellyer;Robert;Naofumi Fujimura and Sohei Shigemura;秋山道宏;Sven T. Siefken and Hilmar Rommetvedt;鹿 錫俊;山谷清秀;犬塚元;平良好利;手嶋昭子;小川公代・吉野由利・河野哲也・森田直子・大河内昌・犬塚元・井上櫻子・川津雅江・土井良子・原田範行・大石和欣;Jochen Rehmert and Naofumi Fujimura;Leheny David
当着名的民族主义日本作家百田直树在2012年出版了他的畅销小说《一个叫海盗的人》（Kaizoku to yobareta otoko），随后成为漫画和主要电影时，他重新对世纪中叶的石油公司出光三产生了兴趣，并将他作为小说主角的典范。Hyakuta声称，他的目标是激励这个国家，从几十年的缓慢增长以及2011年的海啸和核灾难中挣扎出来，通过展示一位有远见的日本领导人，主要是出于对员工和国家的爱。这篇文章追溯了这些媒体为使出光成为一个可信的角色所做的努力，特别是在处理他的现实生活中的家庭以及他的员工“家庭”方面。它认为，部分消失的“真实的”出光在这些版本的Hyakuta的小说允许生产一个更可信的一个可信的部分是因为日本的基本价值观，他表面上代表，即使这些代表性的限制暗示裂缝和紧张局势在当代政治使用传记小说和电影。
When the famously nationalistic Japanese author Hyakuta Naoki published his best-selling novelA Man Called Pirate(Kaizoku to yobareta otoko) in 2012, which subsequently became both a manga and a major film, he renewed interest in the midcentury oil baron Idemitsu Sazō, using him as the model for the novel's lead character. Hyakuta claims to have aimed to inspire the country, reeling from decades of slow growth as well as the 2011 tsunami and nuclear disaster, by featuring a visionary Japanese leader motivated primarily by love for his employees and his country. This article traces the efforts across these media to render Idemitsu as a credible character, particularly in dealing with his real-life family as well as his “family” of employees. It argues that the partial disappearance of the “real” Idemitsu in these versions of Hyakuta's novel allowed the production of a more believable one—made believable in part because of the essential Japanese values that he ostensibly represents, even as the constraints on these representations hint at fissures and tensions in contemporary political use of biographical fiction and film.