Verticality
Verticality
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垂直度
DOI：
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发表时间：
2019
期刊：
影响因子：
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通讯作者：
Mariusz Kozak
中科院分区：
文献类型：
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作者：
Mariusz Kozak
本章着眼于整个作品中时间的制定。本文以细川俊夫的《垂直时间研究I》（1993）为例，分析身体如何参与西方当代音乐的结构创造。作者借鉴梅洛-庞蒂的“垂直存在”和尼采的“永恒回归”的概念，认为作品的形式可以从听众对音乐的情感参与来解释。这种参与反过来又有可能通过体验时间的深度来重新定位时间的方向。作者最后考虑如何时间的重新定位信号的可能性，使用影响作为分析工具，在当代音乐。
This chapter looks at the enactment of time over the course of an entire piece. The author presents an analysis of Toshio Hosokawa’s Vertical Time Study I (1993) as a vehicle for examining how the body participates in creating structure in Western contemporary music. The author draws on Merleau-Ponty’s notion of “vertical Being” and Nietzsche’s “eternal return” to argue that the piece’s form might be construed in terms of the listener’s affective engagement with the music. This engagement, in turn, has the potential to reorient the direction of time by bringing into experience its depth. The author concludes by considering how the temporal reorientation signals the possibility of using affect as an analytical tool in contemporary music.