Visual resources: proposals for an ideal network
Visual resources: proposals for an ideal network
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视觉资源：理想网络的建议
DOI：
10.1017/s0307472200004272
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发表时间：
1985
期刊：
影响因子：
--
通讯作者：
Helene E. Roberts
中科院分区：
文献类型：
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作者：
Helene E. Roberts
阿比·瓦尔堡使用了一种屏幕系统，即覆盖着织物的木制框架，他在上面展示照片。他可以比较图像，以不同的方式处理它们，并将它们排序以支持视觉论点。计算机和视频屏幕允许今天的艺术历史学家考虑创造一个更大和更复杂的版本的瓦尔堡的屏幕在一个理想的网络图像和数据。艺术作品的图像将通过基本信息进行识别，并附有完整目录条目的所有相关信息。正确地表达这些信息可以通过各种方式进行检索，以允许在艺术作品之间建立许多联系，并揭示它们之间的各种关系。因此，每件作品都可以在视觉和历史背景下进行研究，或者与来自不同文化和时期的具有相似特征的艺术作品进行比较。世界上现存的艺术品数量非常庞大，关于它们的信息也是巨大的。建立一个理想的网络是一项艰巨的任务，需要整个艺术史界的帮助和合作。
Aby Warburg used a system of screens, wooden frames covered with fabric, upon which he displayed photographs. He could compare images, manipulate them in different arrangements, and order them in support of a visual argument. The computer and the video screen allow present day art historians to contemplate the creation of a much larger and more sophisticated version of Warburg’s screens in an ideal network of images and data. Images of works of art will be identified by basic information and accompanied with all the relevant information of a full catalogue entry. Correctly formulated this information can be retrieved in various ways to allow for making numerous connections between works of art and revealing a variety of relationships between them. Each work can thus be studied within a visual and historical context or compared with works of art sharing similar characteristics from widely different cultures and periods. The number of works of art existing in the world is very large, and the information which may be recorded about them is immense. Forming the ideal network is a considerable undertaking and one that will take the help and co-operation of the whole art historical community.