Theorizing Born Digital Objects: Museums and Contemporary Materialities
Theorizing Born Digital Objects: Museums and Contemporary Materialities
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理论化天生的数字对象：博物馆和当代物质性
DOI：
10.29311/mas.v19i2.3790
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发表时间：
2021
期刊：
影响因子：
--
通讯作者：
Chiara Zuanni
中科院分区：
文献类型：
--
作者：
Chiara Zuanni
本文探讨了天生的数字对象的特征，以及它们的物质性如何在博物馆化过程中被框定和转化。它借鉴了充满活力的物质主义和网络存档，将诞生的数字对象作为组合，并提出了这些与重生的数字对象（即它们收集的对应物）之间的区别。本文将这种数字对象的新框架与已建立的博物馆学框架联系起来，例如通过符号学的镜头分析博物馆化过程，以及研究与数字复制品相关的真实性，以揭示这种当代遗产形式在进入博物馆时所经历的本体论和认识论转变。
This paper explores the characteristics of born digital objects and how their materiality is framed and transformed in the musealization process. It draws on vibrant materialism and web archiving, framing born digital objects as assemblages and proposing a distinction between these and reborn digital objects, i.e. their collected counterparts. The paper relates this new framing of digital objects to established museological frameworks, such as analyses of the musealization process through the lenses of semiotics and research on authenticity in relation to digital reproductions, in order to unpick the ontological and epistemological transformation this contemporary form of heritage undergoes in entering the museum.