Music Synthesis with Reconstructive Phrase Modeling
Music Synthesis with Reconstructive Phrase Modeling
复制标题
具有重构乐句建模的音乐合成
DOI：
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发表时间：
2007
影响因子：
14.9
通讯作者：
E. Lindemann
中科院分区：
文献类型：
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作者：
E. Lindemann
本文介绍了一种称为重构短语建模 (RPM) 的新合成技术。 RPM 的目标是将采样的真实音质与功能合成的性能交互结合起来。非常重要的是捕捉音符过渡的动态——连线、连奏、琴弓变化等。使用传统的键盘控制器可以实现富有表现力的结果。不需要掌握特殊的表演技巧。 RPM 是一个分析综合系统，与计算机音乐研究的两个重要趋势相关。第一种是加法合成的形式，其中声音被表示为随时间变化的谐波加上噪声元素的总和。 RPM 通过搜索惯用的乐器乐句数据库并组合这些乐句的修改片段来形成新的表现力演奏，从而创建富有表现力的演奏。这种方法与另一种称为串联合成的研究趋势有关
This article describes a new synthesis technology called reconstructive phrase modeling (RPM). A goal of RPM is to combine the realistic sound quality of sampling with the performance interaction of functional synthesis. Great importance is placed on capturing the dynamics of note transitions-slurs, legato, bow changes, etc. Expressive results are achieved with conventional keyboard controllers. Mastery of special performance techniques is not needed. RPM is an analysis-synthesis system that is related to two important trends in computer music research. The first is a form of additive synthesis in which sounds are represented as a sum of time-varying harmonics plus noise elements. RPM creates expressive performances by searching a database of idiomatic instrumental phrases and combining modified fragments of these phrases to form a new expressive performance. This approach is related to another research trend called concatenative synthesis