Interacting with Generative Music through Live Coding
Interacting with Generative Music through Live Coding
复制标题
通过实时编码与生成音乐互动
DOI：
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发表时间：
2009
期刊：
影响因子：
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通讯作者：
Andrew Sorensen
中科院分区：
文献类型：
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作者：
Andrew R. Brown;Andrew Sorensen
所有音乐表演都是生动的，以至于表演者的动作产生音乐声音，但是在本文中，作者专注于与生成音乐的表演性互动。他们特别讨论了音乐的实时编码如何涉及生成过程的构建和管理。他们认为，人类与实时编码中发生的生成过程的互动为生成音乐景观提供了独特的观点。特别重要的是，代码中代表生成算法以最好地负担性能期间的互动和修改的方式。他们还讨论了生成过程的特征，这些过程或多或少适合实时编码表演。他们将实时编码实践置于历史和理论环境中，并定期参考其在实时编码二人组中表演的经验进行讨论。
All music performances are generative to the extent that the actions of performers produce musical sounds, but in this article the authors focus on performative interaction with generative music in a more compositional sense. In particular they discuss how live coding of music involves the building and management of generative processes. They suggest that the human interaction with generative processes that occurs in live coding provides a unique perspective on the generative music landscape. Especially significant is the way in which generative algorithms are represented in code to best afford interaction and modification during performance. They also discuss the features of generative processes that make them more or less suitable for live coding performances. They situate live coding practice within historical and theoretical contexts and ground the discussion with regular reference to their experiences performing in the live coding duo aa-cell.