Pitch of Sinusoids and Complex Tones Above 10 kHz
Pitch of Sinusoids and Complex Tones Above 10 kHz
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10 kHz 以上的正弦曲线和复杂音调的音高
DOI：
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发表时间：
1983
期刊：
影响因子：
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通讯作者：
L. Feth
中科院分区：
文献类型：
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作者：
E. M. Burns;L. Feth
音高，虽然在日常使用中看起来很简单，但很难精确定义。例如，ANSI（1960）对音高的定义，“......听觉的属性，根据它，声音可以在从高到低的范围内排序”，只需要序数属性。某些方面的音色（e. G.“尖锐-钝”）也符合该定义。这种可能的音高-音色混淆也是基于“音高匹配”或强迫选择频率鉴别程序的音高操作定义所固有的。音高的方面似乎是唯一定义音高的方面，也是与音高的日常使用最密切相关的方面，这方面被称为“音调”、“色度”和“音高”。e.携带旋律信息的音位。这一方面涉及到观测者利用精确频率比信息的能力。它表现在音乐幼稚的观察者识别熟悉旋律的能力，以及音乐训练的观察者产生和识别特定音乐间隔（频率比）的能力。
Pitch, although seemingly straightforward in its everyday usage, is quite difficult to define precisely. For example, the ANSI (1960) definition of pitch, “…that attribute of auditory sensation in terms of which sounds may be ordered on a scale extending from high to low,” requires only ordinal properties. Certain aspects of timbre (e. g. “sharp-dull”) also comply with this definition. This possible pitch-timbre confusion is also inherent in operational definitions of pitch based on “pitch-matching” or forced-choice frequency-discrimination procedures. The aspect of pitch which would seem to uniquely define it, and which is most closely related to its everyday usage, is the aspect known variously as “tonality,” “chroma,” and “musical pitch,” i. e. that aspect which carries melodic information. This aspect involves the ability of observers to utilize precise frequency-ratio information. It is manifest in the ability of musically-naive observers to recognize familiar melodies, and in the ability of musically-trained observers to produce and recognize specific musical intervals (frequency ratios).