Studio Studies: Operations, Topologies & Displacements
Studio Studies: Operations, Topologies & Displacements
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工作室研究：操作、拓扑
DOI：
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
Alex Wilkie
中科院分区：
文献类型：
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作者：
Ignacio. Farías;Alex Wilkie
考虑你周围的大量事物，从你所在的建筑物，照亮内部的灯光，调解你生活的计算设备，背景音乐，甚至你所处的陶器，家具和玻璃器皿。所有这些物品的共同之处在于，它们的具体、视觉和技术形式都是在以工作室为特征的场地中构思、建模、完成和测试的。值得注意的是，工作室仍然是一个特殊的空白，在我们的理解如何文化艺术品被带入存在和如何“创造力”作为一个定位的做法。
工作室研究是一个议程设置卷，提出了一套经验的案例研究，探索和研究工作室作为美学和材料生产的关键设置。因此，工作室研究回应了当代社会和文化思想中的三个问题：第一，如何解释创造性和文化生产的情境性质;第二，将创造力重新想象为社会物质分布的实践而不是个人的认知特权的挑战;最后，揭示工作室与其他文化美学和技术科学生产场所（特别是实验室）之间的相似之处、对比和相互联系。通过探究塑造和格式化工作室的操作，拓扑结构和位移，本卷旨在为实证社会和文化研究划分一个新颖而重要的分析对象，并开发新的概念剧目，以解开工作室过程塑造我们日常生活的多种方式。
Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice.
Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.