Miniatures and Animism: The Communicative Role of Inka Carved Stone Conopa
Miniatures and Animism: The Communicative Role of Inka Carved Stone Conopa
复制标题
细密画和万物有灵论：印加石刻科诺帕的交流作用
DOI：
10.1086/689294
复制
发表时间：
2016
影响因子：
0.7
通讯作者：
Bill Sillar
中科院分区：
文献类型：
--
作者：
Bill Sillar
安第斯祭品使用微型化和提炼来在关系万物有灵论(人、地点和事物参与互动网络)内建立联系，允许准备祭品的人在它们与更遥远的非人类实体之间建立物质联系。西班牙殖民时期在安第斯山脉工作的天主教牧师试图根除这些使用被称为科诺帕的小物体的做法。Conopa包括未经修饰的石头和雕刻的石像，据了解，它们是帮助那些准备祭品的人与风景中有活力的地点进行交流的积极因素。对印加和殖民地时期以骆驼形式雕刻的石雕的分析表明，其中一些是在印加国家主持下的有组织的生产系统中生产的。这有助于讨论安第斯家庭仪式是如何适应不同的社会、经济和政治背景的。
Andean offerings use miniaturization and synecdoche to enact connections within a relational animism (where people, places, and things participate in an interactive network), allowing the person preparing the offering to make material links between them and more distant, nonhuman entities. Catholic priests working in the Andes during the Spanish colonial period tried to eradicate these practices in which small objects called conopa were used. Conopa included unmodified stones and carved stone figurines, which were understood to be active agents that helped those who were preparing offerings to communicate with animate locales in the landscape. An analysis of Inka and colonial period stone conopa carved in the form of camelids reveals that some of them were produced in an organized system of manufacture under the auspices of the Inka state. This contributes to a discussion of how Andean household rituals have adapted in response to distinct social, economic, and political contexts.