Embroidery and its early medieval audience: a case study of sensory engagement
Embroidery and its early medieval audience: a case study of sensory engagement
复制标题
刺绣及其中世纪早期受众：感官参与的案例研究
DOI：
--
复制
发表时间：
2020
期刊：
影响因子：
--
通讯作者：
Alexandra Lester
中科院分区：
文献类型：
--
作者：
Alexandra Lester
摘要刺绣品制作和使用于中世纪早期的英格兰（约公元前200年）。今天，43个已知或相信是在中世纪早期英格兰制作的幸存样本已经进行了风格和技术分析，并按时间顺序排列。最近，刺绣和他们的制造商在中世纪早期社会的地位也被探索，并为一些作品写了“生活”传记。到目前为止，观众与刺绣相遇和互动的经历从未被充分调查过。本文使用感官考古学作为一种技术，以访问中世纪早期的“心态”，以探讨人们如何实际从事刺绣，而不是每件作品是为了显示或告诉他们。本文以10世纪早期的刺绣披肩和刺绣套裙为研究对象，这些刺绣披肩和套裙于19世纪世纪在达勒姆大教堂的圣卡斯伯特墓中被重新发现。
ABSTRACT Embroidery made and used in early medieval England (c. 450–1100) was considered fine art. Today 43 surviving examples known or believed to have been made in early medieval England have been stylistically and technically analysed, and placed within chronological timeframes. Recently the embroideries and their makers’ positions within early medieval society have also been explored, and ‘life’ biographies have been written for some pieces. Until now, the viewers’ experiences of encountering and interacting with embroidery have never been fully investigated. This paper uses sensory archaeology as a technique to access the early medieval ‘mindset’ in order to explore how people actually engaged with embroidery as opposed to what each piece was meant to show or tell them. The early 10th-century embroidered stole and maniple, which were rediscovered in the tomb of St Cuthbert in Durham Cathedral in the 19th century, are used as a case study.
劳特利奇感官考古学手册
DOI：
10.4324/9781315560175-17
发表时间：
2019
期刊：
--
影响因子：
--
作者：
Leonard M
通讯作者：
Leonard M