Earthrise: How Man First Saw the Earth by Robert Poole. Yale University Press, New Haven, CT, U.S.A., and London, U.K., 2008, 2010. 236 pp., illus. Cloth, paper. ISBN-13: 978-03-001-3766-8; ISBN-13: 978-03-001-6403-9
Earthrise: How Man First Saw the Earth by Robert Poole. Yale University Press, New Haven, CT, U.S.A., and London, U.K., 2008, 2010. 236 pp., illus. Cloth, paper. ISBN-13: 978-03-001-3766-8; ISBN-13: 978-03-001-6403-9
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《地出：人类如何第一次看到地球》作者：罗伯特·普尔。
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发表时间：
2011
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通讯作者：
Stephen Petersen
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作者：
Stephen Petersen
展示柏拉图立体和欧几里得几何，而其他人则回忆从光学和人眼折射中绘制的图形。在这里，优雅的数学推理与计算机图形的精致弧线和膨胀的钟形曲线形成了巧妙的必然结果，气球本身就是莱昂纳多比例、测量和设计的令人联想的3D模型。乍一看，浮空器让人想起了博世在普拉多的尘世快乐花园的外部面板，在那里，一个透明的灰色泡沫打开了罪恶和放荡的幻想全景。但乌祖诺夫斯基的天球指向微观世界和宏观世界的对应关系，这些对应关系既是形而上学的，也是神秘的，就像它们是天体物理学和寓言一样。这些完美的球体从天空的镜子中产生光环的边缘，复制了由协同半球组成的宇宙统一。这是一种普遍二元论的模式，自古以来就激励着艺术家。创世神话通常始于太阳之门。乌祖诺夫斯基访问芬兰，试图在一年中最短的一天拍摄北极苔原，他观察到，在某些情况下，太阳光线似乎徘徊在地球表面之上，从不接触地面，只照亮树木的上部树枝。他注意到，在某些地方，可以用指尖触摸到光线。他进一步激发了为拉普兰人增加照明的动机，在这些地区，白天的光线只有5-10秒。两年后，在的里雅斯特的一个工作室里，Uzunovski与Abdus Salam国际理论物理中心和国际高级研究学院（SISSA）的物理学家合作，为太阳复制品开发了地理定位坐标。例如，与ICTP的Pierdavide Coïsson一起，艺术家能够将12月22日确定为一个非常高的对数值（24000米），可以分配给到达极圈的阳光，此后高度值下降。他与牛津大学的约翰·米勒（John Miller）一起，通过太阳偏角方程和测量地面反射的光，绘制了太阳的路径图。在同一时期，乌祖诺夫斯基从芬兰收集了拉普兰地区冬季的风速、温度和云量的气候数据。他在意大利阿布鲁佐地区的跨学科研究中心Pollinaria进行艺术家驻留期间建造了一个非飞行装置。在这崎岖不平的地形上，他在不同的大气条件下测试了模型。后来，他通过与拉普兰大学和赫尔辛基艺术大学的学生合作，完善了这些研究。结果，他能够实现一个直径2米的氦气气球飞行，由可拆卸的电缆控制，能够创造出“第二个太阳”的幻觉。威尼斯的装置包括大量的数据、计算公式、图表和技术图纸，强调了该项目科学研究的精确性和清晰度，并有趣地暗示了神圣的几何。部分图表参考检讨小组：凯瑟琳·亚当斯、Nameera Ahmed、Katherine Ancher、Fred Andersson、Wilfred Arnold、Jan Baetens、Niran BahjatAbbas、Brian Baigrie、Jenny Bangham、John F. Barber、Jon Bedworth、Roy R. Behrens、Katharina Blassnigg、Martha Blassnigg、Barry Blundell、Catalin Brylla、Annick Bureaud、Franc Chamberlain、Chris Cobb、Ornella Corazza、Giovanna Drayson、Anthony Enns、Jennifer Ferng、Enzo Ferrara、Anastasia Filippoupoliti、George Gessert、Thom Gillespie、Luis Girao、Lisa M. Graham、Allan Graubard、Dene Grigar、Diane Gromala、Rob Harle、Craig Harris、Paul Hertz、Craig J Hilton、Jung A Huh、Amy Ione、Boris Jardine、Richard Kade、John Knight、Mike Leggett、Helen Levin、Kieran Lyons、Roger Malina、Jacques Mandelbrojt、Florence Martellini、Eduardo Miranda、Rick Mitchell、Robert A. Mitchell、Christine Morris、Michael Mosher、Axel Mulder、Frieder Nake、Maureen A. Nappi、Angela Ndalianis、Erika Nimis、Martha Patricia Nino、Claudy Opdenkamp、Simone Osthoff、杰克·奥克斯、纳伦德拉·帕切赫德、路易莎·帕拉格伊·多纳蒂、尤西·帕里卡、斯蒂芬·彼得森、克里夫·皮克弗、迈克尔·庞特、凯瑟琳·奎莉安、哈里·兰德、索尼娅·拉波波特、Trace Reddell、布莱恩·雷芬·史密斯、汉娜·罗杰斯、劳拉·施里杰弗、比尔·西利、阿帕娜·沙玛、乔治·肖特尼斯、伊冯·斯皮尔曼、克里斯·斯毕德、尤金·塞克尔、皮娅·蒂卡、大卫·托普、尼古拉斯·特雷斯利安、雷内·范·皮尔、斯特凡·范·瑞森、伊恩·韦斯特根、克劳迪娅·韦斯特曼、斯蒂芬·威尔逊、布丽吉塔·齐克斯、乔纳森·齐尔伯格我的阳光
Exhibition Platonic solids and Euclidian geometry, while others recall figures drawn from optics and ocular refraction. Here the elegance of mathematic reasoning forms an artful corollary to the delicate arcs and swelling bell curves of computer graphics, with the balloon itself a suggestive 3D model of Leonardo’s proportionality, measurement and design. At first glance, the aerostat calls to mind the external panels of Bosch’s Garden of Earthly Delights in the Prado, where a transparent grisaille bubble opens onto fantastical panoramas of sin and debauchery. But Uzunovski’s celestial orbs point to microcosmicmacrocosmic correspondences that are as metaphysical, if not mystical, as they are astrophysical and allegorical. These perfect spheres produce rims of haloed radiance from a mirror of the heavens, replicating a cosmic unity composed of synergistic hemispheres. It is a model of universal dualism that has inspired artists since antiquity. Creation myths typically commence rogate of the sun. Uzunovski, on a visit to Finland in an attempt to photograph the arctic tundra on the shortest day of the year, observed that under certain circumstances, the sun’s rays appeared to hover above the surface of the earth, never touching the ground, illuminating only upper branches of the trees. At certain points, he noticed, it was possible to touch the light with one’s fingertips. He was further motivated to augment illumination for Laplanders in areas in which diurnal light was limited to only 5–10 seconds. Two years later, in a studio in Trieste, Uzunovski collaborated with physicists from the Abdus Salam International Centre for Theoretical Physics and the International School for Advanced Studies (SISSA) to develop geo-positioning coordinates for a solar replica. Together with, for example, Pierdavide Coïsson of ICTP the artist was able to identify 22 December as a day when a very high logarithmic value (24,000 m) could be assigned to sunrays that would reach the polar circle, after which the altitudinal value decreased. With John Miller of Oxford University, he charted the sun’s path by means of solar declination equations and measurements of light that could be reflected from the ground. During the same period, Uzunovski accumulated climatological data from Finland on wind speed, temperature and cloudiness during winter in the Lapland region. He constructed a non-flying apparatus during an artist residency at Pollinaria, an interdisciplinary research center in the Abruzzo region of Italy. In this rugged landscape he tested the model under varying atmospheric conditions. He later refined these studies through collaborations with students from the University of Lapland and the Art University of Helsinki. As a result he was able to realize a flying, helium-inflated balloon 2 meters in diameter, controlled by detachable cables capable of creating the illusion of a “second sun.” The installation in Venice included a wealth of data, computational formulae, graphs and technical drawings that emphasized the precision and clarity of the project’s scientific research and alluded intriguingly to sacred geometry. Some of the diagrams reference Reviews Panel: Kathryn Adams, Nameera Ahmed, Katherine Ancher, Fred Andersson, Wilfred Arnold, Jan Baetens, Niran BahjatAbbas, Brian Baigrie, Jenny Bangham, John F. Barber, Jon Bedworth, Roy R. Behrens, Katharina Blassnigg, Martha Blassnigg, Barry Blundell, Catalin Brylla, Annick Bureaud, Franc Chamberlain, Chris Cobb, Ornella Corazza, Giovanna Constantini, Sean Cubitt, Hannah Drayson, Anthony Enns, Jennifer Ferng, Enzo Ferrara, Anastasia Filippoupoliti, George Gessert, Thom Gillespie, Luis Girao, Lisa M. Graham, Allan Graubard, Dene Grigar, Diane Gromala, Rob Harle, Craig Harris, Paul Hertz, Craig J Hilton, Jung A Huh, Amy Ione, Boris Jardine, Richard Kade, John Knight, Mike Leggett, Helen Levin, Kieran Lyons, Roger Malina, Jacques Mandelbrojt, Florence Martellini, Eduardo Miranda, Rick Mitchell, Robert A. Mitchell, Christine Morris, Michael Mosher, Axel Mulder, Frieder Nake, Maureen A. Nappi, Angela Ndalianis, Erika Nimis, Martha Patricia Nino, Claudy Opdenkamp, Simone Osthoff, Jack Ox, Narendra Pachkhede, Luisa Paraguai Donati, Jussi Parikka, Stephen Petersen, Cliff Pickover, Michael Punt, Kathleen Quillian, Harry Rand, Sonya Rapoport, Trace Reddell, Brian Reffin Smith, Hannah Rogers, Lara Schrijver, Bill Seeley, Aparna Sharma, George K. Shortess, Yvonne Spielmann, Chris Speed, Eugene Thacker, Pia Tikka, David Topper, Nicholas Tresilian, Rene van Peer, Stefaan van Ryssen, Ian Verstegen, Claudia Westermann, Stephen Wilson, Brigitta Zics, Jonathan Zilberg My sunshine