Transnational Refugees: The Transformative Role of Art?
Transnational Refugees: The Transformative Role of Art?
复制标题
跨国难民：艺术的变革性作用？
DOI：
10.17169/fqs-9.2.403
复制
发表时间：
2008
影响因子：
1.6
通讯作者：
M. O’Neill
中科院分区：
文献类型：
--
作者：
M. O’Neill
本文着重于艺术的变革作用和与艺术家合作的方法论方法，与难民和寻求庇护者进行民族志研究。在探索民族志（社会学）和基于艺术的实践（照片，装置，文本实践）之间的空间或连字符时，我建议传记/叙事（民族志）和艺术（模仿）的结合成为变革可能性的“潜在空间”。更具体地说，借鉴沃尔特·本杰明（1992年）的《讲故事的人》，我将讨论将传记/叙事与艺术形式（民族模仿）相结合在创造一个“潜在空间”方面的方法论贡献，一个反思/安全的对话和叙事空间，围绕跨国身份，家园和归属感的主题出现。此外，还讨论了更新我们在强迫移徙、羞辱、“平等化”和人权领域工作方法的重要性（LINDNER，2006年），艺术在社会包容进程中的作用，以及通过参与性方法创造对话和表演实践空间的至关重要性。
This paper focuses upon the transformative role of art and the methodological approach of working with artists to conduct ethnographic research with refugees and asylum seekers. In exploring the space or hyphen between ethnography (sociology) and arts based practice (photos, installations, textual practice) I suggest that the combination of biography/narrative (ethnography) and art (mimesis) becomes a "potential space" for transformative possibilities. More specifically, draw- ing upon Walter BENJAMIN's (1992) The Storyteller I will discuss the methodological contribution of combining biography/narrative with art forms (ethno-mimesis) in creating a "potential space", a reflective/safe space for dialogue and narratives to emerge around the themes of transnational identities, home and belonging. The importance of renewing methodologies for the work we do within the area of forced migration, humiliation, "egalization" and human rights (LINDNER, 2006), the role of the arts in processes of social inclusion, and the vital importance for creating spaces for dialogue and performative praxis through participatory methodologies are also discussed.