Audacity
Audacity
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大胆
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
C. Macdonald
中科院分区：
文献类型：
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作者：
C. Macdonald
在2010年，几乎每个艺术机构、图书馆和大学都在记录、传播和存档艺术家的声音。音频/视频对话现在是一种扩展画廊展览中可用信息的手段，也是为后代保留艺术家记忆的手段。主持与艺术家的对话也越来越多地成为一种策展实践，它本身就标志着策展人自己的批判性敏锐性，有时也是良好的联系。但情况并非总是如此。
In 2010 it seems that almost every art institution, library, and university is recording, circulating, and archiving the voice of the artist. The audio/video conversation is now a means of extending the information available in a gallery show, and of preserving the memories of artists for posterity. Hosting conversations with artists is also, increasingly, a curatorial practice in its own right that signals the critical acumen, and at times the good connections, of curators themselves. It was not always so.