Rhythm in Speech and Language
Rhythm in Speech and Language
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言语和语言的节奏
作者：
K. Kohler
与口语的其他方面一样，节奏需要从四个不同的角度进行研究，以全面而深刻地解释其在言语交际中的性质和功能：符号表征，生产，感知和交际功能。本文首先回顾了近70年来这四种方法在节律分析方面的里程碑。这一调查的发展，科学思想的节奏研究准备的基础上整合的四股语言和语音信号分析的相互关联的框架。在理论和方法论讨论的基础上，对节奏进行了定义，并为今后的研究提出了一个新的范式，即以听者为中心，以交际功能为中心。
Abstract Like any other aspect of spoken language, rhythm needs to be, and has been, studied from four different perspectives for a comprehensive and insightful account of its nature and functioning in speech communication: symbolic representation, production, perception, communicative function. The paper first gives an overview of the milestones in the analysis of rhythm under the headings of these four approaches over the past 70 years. This survey of the development of scientific ideas in rhythm research prepares the ground for the integration of the four strands in an interrelated framework of linguistic and speech signal analysis. On the basis of a definition of rhythm derived from the theoretical and methodological discussion, a new paradigm is outlined for future research, centred on the listener and on communicative function.