On synchronizing movements to music
On synchronizing movements to music
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DOI：
10.1016/s0167-9457(00)00026-9
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发表时间：
2000-10-01
影响因子：
2.1
通讯作者：
Large, EW
中科院分区：
文献类型：
--
作者：
Large, EW
人们如何将动作模式与音乐同步？最有可能的是，当人们听到音乐节奏时，他们会感知到节奏中的熊和韵律结构，并且这些感知到的模式能够与音乐协调。在这里，提出了一种米感知模型，其中音乐刺激向形成模式的动力系统提供输入。在节律刺激下，系统经历分叉，对应于自持振荡的诞生和振荡的时间结构模式的形成。由此产生的模式动态地体现了节拍和节拍的感知，并且它们是稳定的，因为它们可以在面对节奏冲突时持续存在。该模型的性能与最近的节拍感应研究（J. Snyder，C.L. Krumhansl，敲击拉格泰姆：寻找脉冲的线索。音乐感知，2000（正在审查））的结果进行了比较，其中音乐家随着音乐节奏敲击。该网络与人类对自然音乐信号的表现非常匹配，并且随着输入质量下降而显示出类似的故障模式。考虑了这些发现的理论意义。 (C) 2000 Elsevier Science B.V. 保留所有权利。
How do people synchronize movement patterns with music? Most likely, when people listen to a musical rhythm, they perceive a bear and a metrical structure in the rhythm, and these perceived patterns enable coordination with the music. Here, a model of meter perception is proposed in which a musical stimulus provides input to a pattern-forming dynamical system. Under rhythmic stimulation, the system undergoes bifurcations that correspond to the birth of self-sustained oscillations and the formation of temporally structured patterns of oscillations. The resulting patterns dynamically embody the perception of beat and meter, and they are stable in the sense that they can persist in the in the face of rhythmic conflict. The performance of the model is compared with the results of a recent beat induction study (J. Snyder, C.L. Krumhansl, Tapping to ragtime: Cues to pulse-finding. Music Perception, 2000 (under review)) in which musicians tapped along with musical rhythms. The network closely matched human performance for natural musical signals and showed a similar pattern of breakdowns as the input degraded. The theoretical implications of these findings are considered. (C) 2000 Elsevier Science B.V. All rights reserved.