Mixed Reality Installation 'Gulliver's World': Interactive Content Creation in Nonlinear Exhibition Design

Mixed Reality Installation 'Gulliver's World': Interactive Content Creation in Nonlinear Exhibition Design
复制标题

混合现实装置“格列佛的世界”:非线性展览设计中的互动内容创作

DOI:
10.1007/11944577_31
复制
发表时间:
2006
期刊:
--
影响因子:
--
通讯作者:
H. Kato
H. Kato
中科院分区:
--
文献类型:
--
作者:
C. Lindinger;Roland Haring;H. Hörtner;Daniela Kuka;H. Kato

文献摘要

参考文献

被引文献

相似文献

“格列佛的世界”是一个多用户混合现实环境,是奥地利林茨电子艺术中心展览的一部分。在一个公共实验室的情况下,该装置同时作为互动的教育娱乐平台,以及灵活的基础设施,通过信息和通信技术和媒体艺术的创新,混合现实环境的扩展。该装置的特点是在剧院,数字电影制作和游戏开发的关系的非线性展览概念。在七个工作站上,所有年龄段的人都可以沿着现实-虚拟的连续体,同时协作创建3D世界。作为研究项目,“格列佛的世界”具有多层次的基础设施,具有示范性的内容:从HCI研究中出现的最新见解和模型,混合现实和虚拟环境的概念及其支持技术被汇集在一起并进一步发展。它们被组装在一个多媒体平台上,使科学发展与本文所展示的教育应用相吻合。
‘Gulliver’s World’ is a Multi User Mixed Reality Environment that is part of the Ars Electronica Center Exhibition in Linz/Austria. In a public laboratory situation, the installation functions simultaneously as interactive edutainment platform as well as flexible infrastructure for the expansion of mixed reality environments via innovations in information and communication technology and media art. The installation is characterized by a nonlinear exhibition concept at the nexus of theater, digital film production and game development. At seven workstations, people of all age groups range along the reality-virtuality continuum while collaboratively creating 3D-worlds. As research project, ‘Gulliver’s World’ features multilevel infrastructure with exemplary content: The latest insights and models to emerge from HCI research, concepts of mixed reality and virtual environments and their supporting technology are brought together and developed further. They are assembled on a multimedial platform that enables scientific development to dovetail with an educational application that is demonstrated in this paper.
混合现实:融合现实和虚拟世界-I简介
DOI: --
发表时间: 2005
期刊: Systems, Control and Information 49・12
影响因子: --
作者:
Ho;T.B.;Nguyen;T.D.;Kawasaki;S.;Le;S.Q;Toshihiro Asai;堀 磨伊也;Maiya Hori;Toshihiro Asai;Maiya Hori;Maiya Hori;Toshihiro Asai;Maiya Hori;Yuji Yokochi;横矢 直和;横矢 直和;横地 裕次;横矢 直和;横矢 直和;浅井 俊弘;浅井 俊弘;Sei Ikeda;Naokazu Yokoya;Naokazu Yokoya;Yuji Yokochi;Naokazu Yokoya;Toshihiro Asai;Toshihiro Asai;横矢 直和;浅井 俊弘;Sei Ikeda;Toshihiro Asai;横地 裕次;佐藤 智和;佐藤 智和;Tomokazu Sato;Toshihiro Asai;佐藤 智和;横地 裕次;浅井 俊弘;Toshihiro Asai;浅井 俊弘;Tomokazu Sato;横矢 直和;横矢 直和;Toshihiro Asai;Yuji Yokochi;Tomokazu Sato;Tomokazu Sato;Tomokazu Sato;Yuji Yokochi;Toshihiro Asai;Toshihiro Asai;Naokazu Yokoya
通讯作者: Naokazu Yokoya