Where Did Julia Sit?: Another Borrowing from Montaigne in John Webster's The Duchess of Malfi
Where Did Julia Sit?: Another Borrowing from Montaigne in John Webster's The Duchess of Malfi
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朱莉娅坐在哪里?:约翰·韦伯斯特的《马尔菲公爵夫人》中蒙田的另一个借用
DOI:
10.1093/notesj/gjaa052
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发表时间:
2020
影响因子:
0.1
通讯作者:
Takashi Yoshinaka
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市川千恵子;田中孝信;要田圭治;原田範行;他;Kumiko Hoshi;Kumiko Hoshi;Kumiko Hoshi;Kumiko Hoshi;滝川 睦;滝川 睦;滝川 睦;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子;岩上はる子・惣谷美智子(共編著);岩上はる子(分担執筆);宮原 一成;宮原 一成;宮原一成;Kazunari Miyahara;宮原 一成;Kazunari Miyahara;Ashizu Kaori;Takashi Yoshinaka
Webster’s The Duchess of Malfi (probably written in 1613), the Cardinal appears with his mistress Julia and they flirt onstage, obviously fueling anti-Catholic sentiment in early audiences. First, he says to her ‘Sit. Thou art my best of wishes’(2.4. 1). 1 There is no stage direction here in the original texts, but given the dramatist’s many borrowings elsewhere from John Florio’s translation of Montaigne’s Essays (1603, 2nd edn, 1613), 2 it is evident, I argue, that Webster intended Julia to sit, not simply on a chair or even on a bed but in the Cardinal’s lap. In the same Act, before the scene in question, when Bosola ridicules women for their natural promiscuousness by referring to their sexual habit as ‘the mathematics’ by which ‘to know the trick how to make a many lines meet in one centre’(2.2. 21–2, 24–5), Webster borrowed this idea and the expression, as FL Lucas and other critics have already noted, from Book 3, Chapter 5 in Montaigne’s Essays:‘All the worlds motions bend and yeelde to this conjunction: it is a matter euery-where infused; and a Centre whereto all lines come, all things looke’. 3 Then, Montaigne goes on to discuss phallicism on the next page, and Webster must have continued to make notes in his commonplace book. The French philosopher refers to the contemporary instances of the ‘devotion’to the male genitalia: