The Cultural Sociology of Art and Music - New Directions and New Discoveries
The Cultural Sociology of Art and Music - New Directions and New Discoveries
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艺术和音乐的文化社会学——新方向和新发现
DOI：
10.1007/978-3-031-11420-5_9
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发表时间：
2022
期刊：
影响因子：
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通讯作者：
Harris L
中科院分区：
文献类型：
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作者：
Harris L
意义是如何在美术馆内部和周围产生的？社会学对这个问题的答案是有限的，狭隘地集中在画廊间的群体互动和认知解释。我认为，这种方法将加强会计画廊的背景和气氛，无论是在画廊和画廊以外的转移效果。艺术画廊的窗户提供了一个透镜，通过它来探索如何在日常生活中的背景和气氛的问题进行谈判的艺术画廊。我尝试这种方法使用的数据从14个月的案例研究的Bluecoat，在利物浦，英国的城市中心艺术画廊，其中有一系列的窗口，调解画廊和邻近的购物街。窗户划分了意义区域，框架视觉，有助于画廊外部建筑的象征意义，并调节其内部气氛。分析模型的意义为中心的社会学的艺术画廊，超越解释，走向更广泛的理解的电流的意义和周围的艺术画廊。
How is meaning produced in and around the art gallery? Sociological answers to this question are limited by a narrow focus on inter-gallery group interaction and cognitive interpretation. I argue that such approaches would be strengthened by accounting for the diverting effects of gallery context and atmosphere, both in and beyond the gallery. Art gallery windows offer a lens through which to explore how issues of context and atmosphere are negotiated in and around an art gallery in everyday life. I trial this approach using data from a 14-month case study of Bluecoat, a city center art gallery in Liverpool, UK, which has a series of windows that mediate between the gallery and the neighboring shopping street. The windows partition zones of meaning, frame vision, contribute to the symbolic meanings of a gallery’s exterior architecture, and modulate its interior atmosphere. The analysis models a meaning-centered sociology of the art gallery that moves beyond interpretation and toward a broader understanding of the currents of meaning in and around the art gallery.