The future of visual anthropology: engaging the senses. by Pink, Sarah
The future of visual anthropology: engaging the senses. by Pink, Sarah
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视觉人类学的未来:吸引感官。
DOI:
10.1111/j.1469-8676.2008.00027_23.x
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发表时间:
2008
期刊:
影响因子:
4.6
通讯作者:
Gabriela Boangiu
中科院分区:
文献类型:
--
作者:
Gabriela Boangiu
The anthropological study of travel has never had it so good. With a revived focus on ‘studying up’(Nader 1972), gone are the days of following large group tours on and off buses, sitting around a stage waiting for visitors to show up for a performance, or stealthily trailing behind exhausted migrant workers as they leave the factory gates to enter the dormitory walls. The volume under review eschews the commonplace distinction between labor migration and tourism travel in favor of exploring what happens, in a cosmopolitan worldview, when people travel for long-term engagements in relatively privileged socio-economic communities. While most of the case studies in the volume continue to focus on a type of labor migration, this is labor of the most distinguished, most well-paid kind: corporate expats living in Indonesia (Chapter 3), award-winning cinematographers shuttling between Mongolia, Poland, and Australia (Chapter 5), and ‘volunteers’ paying to work 30 hours a week at a retreat in Hawai’i (Chapter 9). As editor Vered Amit notes in her introduction, it is these very people and their communities on whom scholars are casting the theoretical net of ‘cosmopolitanism’and yet, as the ethnographic case studies in this volume demonstrate,‘the elites once so identified with [cosmopolitanism]... are not, it would appear, very cosmopolitan after all’(p. 9). Expatriate wives describe their lives in Jakarta as a ‘bubble’; Japanese wives in middle-class American neighborhoods feel obliged to maintain a Japanese household to make the inevitable transition back to the ‘real world of Japan’easier to bear when their husbands’ tenure abroad ends (Chapter 2). For this reason, this collection of chapters deserve to be widely read and discussed–together, they demonstrate the imperative for ethnographic research in conversation, but not necessarily in cahoots, with reigning critical theories of modernity and the contemporary world. The central argument is stated succinctly by Amit:‘[w] hat drives all forms of movement are the potentialities unleashed by expectations and experiences of asymmetrical distinction’(p. 8). The case studies trace the unfolding of these expectations and experiences in various contexts; of particular note are chapters by Meike Fechter on expatriate communities in Indonesia, Karen Fog Olwig on the structure of migration narratives by middle-class Caribbean families in the United States, Canada, and Britain (Chapter 6), and Caroline Oliver on the ‘aspirational mobility’of elderly British retirees in Spain’s Costa del Sol (Chapter 8). While certain cases would benefit from more sustained ethnography, the absence of such details speaks to the difficulties of studying mobile subjects for whom travel is part and parcel of their socio-economic identities and life opportunities (the cinematographers interviewed by Greenhalgh are a case in point). To an extent, one may wonder how an anthropologist could do long-term fieldwork with such traveling subjects–what are the limits of anthropological theory when one’s informants and collaborators consider their travel experiences as temporary ‘glitches’ in the big picture of their lives unfolding? This brings to mind the renewed importance of Nelson Graburn’s theory on the ritualistic features of tourism (2001) and Julia Harrison’s Being a Tourist (2003), where the analytical emphasis is on the desire to travel, and the