Pleasure and Guilt On the Grand Tour: Travel Writing and Imaginative Geography, 1600-1830
Pleasure and Guilt On the Grand Tour: Travel Writing and Imaginative Geography, 1600-1830
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伟大旅行中的愉悦与愧疚：旅行写作与富有想象力的地理，1600-1830
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发表时间：
1999
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影响因子：
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通讯作者：
C. Chard
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作者：
C. Chard
这部作品考察了1600年至1830年期间英国和法国旅行写作中描绘意大利和温暖的南方的语言形式，作为一种充满想象力的快乐地形。这本书认为旅游参考不是旅行的社会历史，而是描述和评论的策略，叙事和主题排序以及关于如何与外国人相遇的论点和假设。旅行者对艺术和风景的描述是在这个更广泛的背景下进行的，并讨论了不同的性别概念-特别是女性化和男性化-这是在意大利风景和文化的评论中形成的。这本书最后绘制了两种相互冲突的外国人态度，这两种态度最初是在18世纪90年代制定的，至今仍然决定着人们对旅行的态度。虽然浪漫主义的方法将旅行定义为一种个人冒险，涉及跨越边界和遇到危险，但旅游者的方法旨在将危险和不稳定保持在海湾。
This work examines the forms of language that map out Italy and the warm south as an imaginative topography of pleasure within British and French travel writing, over the period 1600 to 1830. The book considers the Tour with reference not to the social history of travel but rather to strategies of description and commentary, narrative and thematic orderings and arguments and assumptions about how the encounter with the foreign should be managed. Traveller's descriptions of art and landscape are set within this wider context and the range of different concepts of gender are discussed - in particular of effeminacy and manliness - that are formed within commentaries on Italian landscape and culture. The book concludes by charting two conflicting approaches to the foreign which were first formulated around the 1790s and still determine attitudes to travel today. While the Romantic approach defines travelling as a personal adventure which involves crossing boundaries and encountering dangers, the approach of the tourist aims to keep danger and destabilization at bay.