An Approach to Instrument Augmentation: the Electric Guitar
An Approach to Instrument Augmentation: the Electric Guitar
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乐器增强方法：电吉他
DOI：
10.5281/zenodo.1179585
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发表时间：
2008
期刊：
影响因子：
--
通讯作者：
Otso Lähdeoja
中科院分区：
文献类型：
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作者：
Otso Lähdeoja
在本文中，我们描述了一个正在进行的研究增强仪器，基于电吉他的具体案例研究。通过对电吉他的设计、演奏技巧和界面特征的分析，探讨了手势、乐器和声音之间的关系这一关键问题。这项研究指出了吉他目前的声电混合形式中的一些固有缺陷，以及更好地整合乐器手势和信号处理之间关系的新视角。这些考虑激发了CICM的增强吉他项目，其中开发了增强的手势方法，强调乐器演奏家的身体动作曲目作为吉他演奏技术中新手势声音“接触点”的来源。
In this paper we describe an ongoing research on augmented instruments, based on the specific case study of the electric guitar. The key question of the relationship between gesture, instrument and sound is approached via an analysis of the electric guitar’s design, playing technique and interface characteristics. The study points out some inherent defaults in the guitar’s current forms of acoustic-electric hybridation, as well as new perspectives for a better integration of the relationship between instrumental gesture and signal processing. These considerations motivate an augmented guitar project at the CICM, in which a gestural approach to augmentation is developed, emphasising the role of the instrumentist’s repertoire of body movements as a source for new gesture-sound « contact points » in the guitar playing technique.