The Intuitive Cosmology of Fictional Worlds
The Intuitive Cosmology of Fictional Worlds
复制标题
虚构世界的直观宇宙论
DOI:
10.1093/acprof:oso/9780199275731.003.0005
复制
发表时间:
2006
影响因子:
1.8
通讯作者:
Paul Bloom
中科院分区:
文献类型:
--
作者:
D. Skolnick;Paul Bloom
Children spend much of their lives immersed in fiction, as they engage with stories in fairy tales, books, movies, and television shows. Because of this immersion, developmental psychologists have long been interested in how children make sense of fictional characters such as Batman and SpongeBob SquarePants. For an adult, there is a sharp division between what is real and what is not, but this might not be the case for children. One traditional view of development, defended most notably by Piaget (1962), is that young children are prone to magical thinking—they lack the capacity to distinguish the real from the make-believe. There is now abundant evidence that this view is mistaken. When explicitly asked, even 3-year-olds understand that ghosts, monsters, and witches are ‘makebelieve’ and dogs, houses, and bears are ‘real-life’ (e.g. Morison and Gardner 1978; Wellman and Estes 1986; DiLalla and Watson 1988; Harris et al. 1991; Samuels and Taylor 1994; Golomb and Galasso 1995). They also do not confuse imagination with reality—a child who imagines that a pencil is in a box will not mistakenly direct someone asking for a pencil to the box (Woolley and Phelps 1994; see also Leslie 1994). And, contrary to popular belief, those children who create imaginary friends are aware of their status as imaginary (Taylor 1999). The consensus from this work, then, is that an understanding of the distinction between what is real and what is make-believe is present by the age of 3, if not earlier. In our own research and in this chapter, we will accept the general conclusion that children can distinguish reality from fantasy, and we will present our own evidence that supports this claim. But our main purpose here is to argue that this body of previous research has not yet asked the right questions. Adults’ and children’s intuitive understanding of fiction1 is considerably more nuanced than developmental psychologists have assumed.