Continuities and Discontinuities in the Production and Reception of Middle Dutch Narrative Literature
Continuities and Discontinuities in the Production and Reception of Middle Dutch Narrative Literature
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中古荷兰叙事文学的生产和接受的连续性和间断性
DOI：
10.1515/9783110563016-003
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
F. Willaert
中科院分区：
文献类型：
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作者：
Bart Besamusca;F. Willaert
在这篇文章中，我们认为，在中世纪荷兰叙事文学的发展中，可以分为三个阶段。在第一阶段，在这方面的贡献表示为“中荷兰叙事文学的手稿”，作家的浪漫坚持诗，而不是散文，并停止写这些文本后，中间的十四世纪。在C之间。1400和C。1470年，中古荷兰传奇小说只在低地国家东部的贵族圈子里阅读，而不是在弗兰德斯或布拉班特地区的中部。第二个阶段被称为“荷兰”，它见证了中世纪荷兰叙事文学在1470年左右通过印刷机的重新引入。在低地国家北方的一些小城镇里，早期的印刷工们制作的散文叙事作品带有强烈的说教色彩。这些文本都是改编自拉丁语来源和中古荷兰语诗歌文本的手稿副本。此外，这些印刷机的输出还包括著名诗歌叙事的版本。第三个阶段，表示为“安特卫普”，开始与生产的印刷文本从荷兰转移到大都会的安特卫普在15世纪80年代。安特卫普的印刷商在低地国家以外寻找有吸引力的来源，并改编他们的材料，以吸引对新文本感兴趣的读者和喜欢属于既定文学传统的文本的读者。
s: In this article, we argue that in the development of Middle Dutch narrative literature three stages can be distinguished. In the first phase, indicated in this contribution as ‘ Middle Dutch narrative literature in manuscripts ’ , authors of romances stuck to verse instead of prose, and stopped writing these texts after the middle of the fourteenth century. Between c . 1400 and c . 1470, Middle Dutch romances were only read in the eastern part of the Low Countries, in aristocratic circles, and not in Flanders or Brabant, the central parts of the region. The second phase, indicated as ‘ Holland ’ , witnessed the reintro-duction of Middle Dutch narrative literature by means of the printing press around 1470. In small towns located in the northern parts of the Low Countries, early printers produced prose narratives that had a strong didactic bias. These texts were adaptations of both Latin sources and Middle Dutch verse texts available in manuscript copies. The output of these printers included, in addition, editions of well-known verse narratives. The third phase, indicated as ‘ Antwerp ’ , started with the shift of the production of printed texts from Holland to the metropolis of Antwerp in the 1480s. Antwerp printers looked for appealing sources outside of the Low Countries and adapted their material in order to attract both readers who were interested in new texts and readers who preferred texts which belonged to an established literary tradition.