Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama

Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama
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舞台非殖民化:戏剧融合与后殖民戏剧

DOI:
10.5860/choice.37-2091
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发表时间:
1999
期刊:
Aspen's advisor for nurse executives
影响因子:
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通讯作者:
Christopher Balme
Christopher Balme
中科院分区:
--
文献类型:
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作者:
Christopher Balme

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1.第一节第二章:第二章仪式框架和限制戏剧3.语言和后殖民阶段4.第五章.第六章身体的可视化舞蹈与肢体语言7.空间与观察者
LIST OF ILLUSTRATIONS INTRODUCTION 1. INDIGENOUS THEORIES OF SYNCRETIC THEATRE 2. RITUAL FRAMES AND LIMINAL DRAMATURGY 3. LANGUAGE AND THE POST-COLONIAL STAGE 4. ORALITY AS PERFORMANCE 5. VISUALIZING THE BODY 6. DANCE AND BODY LANGUAGE 7. SPACES AND SPECTATORS CONCLUSION BIBLIOGRAPHY INDEX