The Art of Singing

The Art of Singing
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歌唱艺术

DOI:
10.1007/978-3-7091-3737-6_8
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发表时间:
1980
期刊:
Theory and Practice in Late Nineteenth-Century Violin Performance
影响因子:
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通讯作者:
D. F. Proctor
D. F. Proctor
中科院分区:
--
文献类型:
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作者:
D. F. Proctor

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几乎所有的人类,无论文明程度如何,都沉迷于歌曲并从中获得乐趣。虽然有些人似乎没有能力以一种令人愉快的方式唱歌,而另一些人则在这方面表现出非凡的天赋,但有许多人只能发出一种可接受的歌声,其表现可以通过训练得到明显改善。我在这里的目的是讨论一些因素涉及转换歌手的艺术家。在这一章中,我将向你们介绍我与阿伦德·布胡伊斯博士和杰尔·米德博士合作在哈佛公共卫生学院所做的研究成果,讨论我作为一名声乐学生和歌手的个人经历,并试图对那些涉及艺术表演的因素给出一些定义(10、11、16、21、22、30、31、32)。
Nearly all of mankind, regardless of the degree of civilization, indulges in and derives pleasure from song. Whereas some seem to have little capacity for singing in a manner pleasant to the listener and others exhibit remarkable talent in this direction, there are many capable of producing merely an acceptable singing voice whose performance can be appreciably improved by training. It is my purpose here to discuss some of the factors involved in converting the singer to the artist. In this chapter I shall present to you findings from research done at the Harvard School of Public Health in collaboration with Drs. Arend Bouhuys and Jere Mead, discuss my own personal experiences as a voice student and a singer, and try to provide some definition of those factors which are involved in artistic performance (10, 11, 16, 21, 22, 30, 31, 32).