The Return of the Past: On Drawing and Dialogic History
The Return of the Past: On Drawing and Dialogic History
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过去的回归：论绘画与对话史
DOI：
10.1080/14442213.2013.769119
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发表时间：
2013
期刊：
影响因子：
--
通讯作者：
C. Ballard
中科院分区：
文献类型：
--
作者：
C. Ballard
绘画从根本上说是一种对话性的活动，但它在人类学自己对其田野实践和历史的描述中却基本上缺席。早期的俄罗斯大洋洲人类学家尼古拉·米克卢霍-麦克莱（Nikolai Miklouho-Maclay）使用绘画作为一种策略，以启动与新对话者的对话，通常是在缺乏共同语言的情况下。我对瓦努阿图Lelepa岛历史的研究围绕Miklouho-Maclay 1879年的社区草图建立了一系列对话，模仿绘画作为对话的策略，以发展对过去的合作或对话。
Drawing is a fundamentally dialogic activity and yet it remains largely absent from anthropology's own accounts of its field practices and its history. The early Russian anthropologist of Oceania, Nikolai Miklouho-Maclay, employed drawing as a strategy to initiate dialogue with new interlocutors, often in the absence of a common language. My research on the history of Lelepa Island, Vanuatu, has built a series of conversations around Miklouho-Maclay's 1879 sketches of the community, mimicking the strategy of drawing-as-dialogue to develop a collaborative or dialogic account of the past.