Drawing-Writing Culture: The Truth-Fiction Spectrum of an Ethno-Graphic Novel on the Sri Lankan Civil War and Migration
Drawing-Writing Culture: The Truth-Fiction Spectrum of an Ethno-Graphic Novel on the Sri Lankan Civil War and Migration
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绘画-写作文化：一部关于斯里兰卡内战和移民的民族图画小说的真实与虚构光谱
DOI：
10.1111/var.12172
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发表时间：
2019
影响因子：
0.8
通讯作者：
R. Kaur
中科院分区：
文献类型：
--
作者：
B. Dix;R. Kaur
随着对斯里兰卡内战和泰米尔族幸存者的被迫流离失所和迁移的“民族图形小说”的重点，我们认为两个主要命题作为一个反思，并在近年来出现在人类学的“图形叙事转向”的发展。首先，我们将绘画纳入“文化的书写”，其中文字在民族志的表现中占有上级地位。而不是看到图纸作为次要的，或仅仅作为感知工具记录经验在实地考察中，我们扩展它们，使它们成为一个代表性的做法，他们可以有一个深刻的，复杂的和等效的纠缠与文字创造同步的情感强度与研究参与者和观众的一部分。我们的第二个建议遵循让·鲁什关于真实电影的观点，以质疑电影表征所描绘的关于真实和虚构的假设。我们提出了一个理论和实践的图形小说生产，我们称之为，verites graphiques（字面上，图形现实）。这描述了人们的贡献和观点的协作和互动参与，以及通过民族志形式的提炼和虚构。然而，我们偏离了真实电影，突出了一个真实-虚构的光谱，进一步质疑所看到的，经历的，共同创造的和揭示的假定客观性。
With the focus on an ‘ethno-graphic novel’ on the Sri Lankan civil war and the forcible displacement and migration of Tamil survivors, we consider two main propositions as a reflection on, and development of the ‘graphic narrative turn’ that has emerged in anthropology in recent years. First, we inscribe drawing into the ‘writing of cultures’ where words have held a superior status in ethnographic representations. Rather than seeing drawings as secondary to, or merely as perceptive tools for recording experiences during fieldwork, we extend them so as they become part of a representational practice in which they can have a deep, intricate and equivalent entanglement with words to create synchronous affective intensities with research participants and viewers. Our second proposal follows Jean Rouch on cinema verite to interrogate assumptions about truth and fiction as portrayed by film representations. We propose a theory and practice for graphic novel production that we have termed, verites graphiques (literally, graphic realities). This describes the collaborative and interactive engagement with people’s contributions and views, and their distillation and fictionalisation through the ethno-graphic form. We diverge from cinema verite, however, by highlighting a truth-fiction spectrum that further interrogates the presumed objectivity of what is seen, experienced, co-created and revealed.
印度的冒险漫画和青年文化
DOI：
--
发表时间：
2018
期刊：
--
影响因子：
--
作者：
Kaur
通讯作者：
Kaur