Drawing Electroacoustic Music
Drawing Electroacoustic Music
复制标题
绘制电声音乐
DOI：
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发表时间：
2009
期刊：
影响因子：
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通讯作者：
N. Bryan
中科院分区：
文献类型：
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作者：
J. Thiebaut;P. Healey;N. Bryan
创意设计的初始阶段通常涉及草图。电声作曲也不例外。矛盾的是，实现这种构图形式的技术对素描过程本身几乎没有提供支持。在本文中，我们首先提出了纸笔素描在当前实践中的重要性的证据，并讨论了它所提供的两种战略表现功能：模糊性和歧义性。当前的音乐程序提供了多种形式的视觉表示，但对这些功能仅提供有限的支持。我们讨论了可用于为电声作曲的创意阶段提供更多支持的设计方案。 Music Sketcher 程序旨在弥合纸质素描活动与使用标准工具最终实现作品之间的差距。
The initial stages of creative design often involve sketching. Electroacoustic composition is no exception to this. Paradoxically, the technologies that enable this form of composition provide little support for the sketching process itself. In this paper we first present evidence for the importance of paper-and-pen sketching in current practice and discuss two strategic representational functions it serves: vagueness and ambiguity. Current music programs offer a variety forms of visual representation but offer only limited support for these functions. We discuss the design alternatives that could be used to provide more support for the creative stages of electroacoustic composition. The program Music Sketcher is presented which aims at bridging the gap between the paper-based sketching activity and the final realization of a piece using standard tools.