Sequel – An artistic collaboration between the Slade School of Fine Art and UCL Museums & Collections
Sequel – An artistic collaboration between the Slade School of Fine Art and UCL Museums & Collections
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续集——斯莱德美术学院与伦敦大学学院博物馆和收藏馆之间的艺术合作
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
S. Gould
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作者：
S. Gould
伦敦大学学院斯莱德美术学院的学生在2009年上半年的网上和实物展览中，针对伦敦大学学院艺术收藏中的旧作品进行了新的创作。这是这类合作的第一次，已经导致了更多类似的项目。该项目为学生提供了一个极好的机会，让他们能够亲身接触到一批令人惊叹的古代大师和现代珍宝，也是一次难得的宝贵经验，为他们未来的职业艺术家提供了机会。这种合作只花费很少的费用，产生了很大的影响，提高了人们对艺术收藏品和伦敦大学学院博物馆和收藏品的认识。前言续集是斯莱德美术学院和伦敦大学学院博物馆与收藏馆合作的项目，特别关注伦敦大学学院艺术收藏品的对象。Sequel首先邀请斯莱德的所有在校学生重温伦敦大学学院艺术收藏中的过去的大师，并创作新的作品作为回应；利用当代媒体和当代思维模式继续发展自己的实践，同时花时间思考和欣赏以前发生的事情。尽管位于同一所大学四合院的相邻两侧，尽管有着紧密相连的历史，斯莱德美术学院和伦敦大学学院艺术收藏馆近年来却变得越来越疏远。这一史无前例的项目旨在本着合作精神重振这一看似显而易见的合作伙伴关系，而合作精神一直是伦敦大学学院众多教学和研究的核心。伦敦大学学院博物馆和收藏品致力于加强其在线展示，并一直在寻找新的方式来接触观众，特别是在临时展览设施有限的情况下。因此，Sequel的设想是为在线展览制作艺术品，要么以数字作品的形式创作，要么以数字形式记录。这些作品的展览将继续在www.ucl.ac.uk/mMuseum/equel上展出。2009年3月，Sequel推出，所有作品，无论是新的还是旧的，都只有一晚的实体安装，在Strang Print Room，这里是UCL大部分艺术收藏品的所在地。UCL艺术收藏品和斯莱德美术学院的简史UCL艺术收藏品包括10,000多件物品，包括从1490年到现在的绘画、素描、版画和雕塑。纸质作品存放在Strang Print Room中，油画和雕塑展示在伦敦大学学院周围的公共空间以及现场内外的仓库中。在任何时候，这些作品中只有一小部分会展出。该藏品成立于1847年，礼物是新古典主义艺术家约翰·弗拉克斯曼的雕塑模型和素描。在很长一段时间里，藏品是斯莱德学院教学计划的核心部分，是家门口的一种无价资源。续集由安德里亚·弗雷德里克森、西蒙·古尔德、永利·艾伯特、苏珊·柯林斯、布莱德·洛、乔恩·汤姆森和德莱登·古德温组织和策划。参展的艺术家包括：Emma Connor、Patricia Delgado、Andrea Greenwood、Erin Gutierez、Hyo MYoung Kim、Janne Malmros、Junko Otaken、Stephanie O‘Connor、Kate Keara Pelen、Ryan Riddington、Alex Springer、Patricia Townend、Amanda Wasielewski、Jayne Wilton。
Students of the UCL Slade School of Fine Art made new work in response to old works in the UCL Art Collections for on-line and physical exhibition in the first half of 2009. This was the first collaboration of this sort and has already led to further, similar projects. The project provided a fantastic opportunity for students to get hands-on with a remarkable collection of old masters and modern treasures as well as being a rare and valuable experience for their futures as professional artists. At very little expense this collaboration had a large impact providing improved awareness of the Art Collections and UCL Museums and Collections more widely. Introduction Sequel was a collaborative project between the Slade School of Fine Art and UCL Museums & Collections, with a particular focus on the objects of the UCL Art Collections. Sequel began with an invitation to all current students at the Slade to revisit the past masters within the UCL Art Collections and to create new work in response; to continue to develop their own practices using contemporary media and contemporary modes of thinking while taking time to consider and appreciate what has gone before. Despite being on adjacent sides of the same university quadrangle and despite deeply interconnected histories, The Slade School of Fine Art and the UCL Art Collections have in more recent years grown apart. This unprecedented project sought to rejuvenate this seemingly obvious partnership in the spirit of collaboration that has always been at the centre of so much of UCL’s teaching and research. UCL Museums & Collections are committed to strengthening their on-line presence and are always looking for new ways to reach audiences, especially with limited facilities for temporary exhibitions. As such, Sequel was conceived to produce artworks for on-line exhibition, created either as digital works in their own right or as works to be documented digitally. The exhibition of these works continues to exist at www.ucl.ac.uk/museums/sequel. In March 2009 Sequel was launched with a one-night only physical installation of all works, new and old, in the Strang Print Room, where much of the UCL Art Collections are housed. A brief history of the UCL Art Collections and the Slade School of Fine Art The UCL Art Collections contain over 10,000 objects including paintings, drawings, prints and sculptures dating from 1490 to the present day. Works on paper are housed in the Strang Print Room, and paintings and sculptures are displayed in public rooms around UCL as well as in storage on and off site. Only a tiny fraction of these works are exhibited at any one time. The collection was founded in 1847 with a gift of the sculpture models and drawings of the neoclassical artist John Flaxman. For a long time, the objects in the collections were a central part of the Slade’s teaching programme, an invaluable resource on its doorstep. 1 Sequel was organized and curated by: Andrea Fredericksen, Simon Gould, Wynn Abbott, Susan Collins, Brighid Lowe, Jon Thomson and Dryden Goodwin. The participating artists were: Emma Connor, Patricia Delgado, Andrea Greenwood, Erin Gutierez, Hyo Myoung Kim, Janne Malmros, Junko Otake, Stephanie O’Connor, Kate Keara Pelen, Ryan Riddington, Alex Springer, Patricia Townsend, Amanda Wasielewski, Jayne Wilton.