Film Policy in Japan: An Isolated Species on the Verge of Extinction?
Film Policy in Japan: An Isolated Species on the Verge of Extinction?
复制标题
日本的电影政策：濒临灭绝的孤立物种？
DOI：
10.1080/10286632.2016.1223645
复制
发表时间：
2016
影响因子：
1.8
通讯作者：
Nobuko Kawashima
中科院分区：
文献类型：
--
作者：
三宮千佳;外山潔;三船温尚;Nobuko Kawashima
本文考察了电影在日本政府公共政策中地位的变化，不仅包括文化政策本身，还包括产业政策和经济政策。本文在描述了日本电影市场的一些特点之后，讨论了政府电影文化政策的不足之处。近年来，电影作为一个具有出口潜力的产业受到了一些关注，特别是随着“酷日本”的兴起，这一政策将日本文化作为经济和外交目标的工具推广到国外。近年来，在经济发展战略和国家品牌建设的曲折历史中，电影业有一些好消息，但无论是作为一个具有经济意义的部门，还是作为一种民族文化形式，都没有得到认真的关注。
This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government's cultural policy for film. Film in recent years has received some attention as an industry with export potential, particularly with the rise of ‘Cool Japan’, the policy of promoting Japanese culture abroad as a tool for economic and diplomatic aims. In the chequered history of economic growth strategies and nation branding of recent years, the film industry has had some good news but received no serious attention either as a sector with economic significance or as a form of national culture.