Black-and-White Photography in Batcham: From a Golden Age to Decline (1970-1990)

Black-and-White Photography in Batcham: From a Golden Age to Decline (1970-1990)
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巴查姆的黑白摄影:从黄金时代到衰落(1970-1990)

DOI:
10.1080/02757206.2015.1074899
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发表时间:
2015
影响因子:
0.7
通讯作者:
Tatsitsa J
Tatsitsa J
中科院分区:
人文科学3区
文献类型:
--
作者:
Tatsitsa J

文献摘要

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在这篇文章中,我探索了20世纪70年代来自西喀麦隆巴查姆的三位专业黑白白色摄影师的传记。他们是Edouard Fofou,别名Photo-Edouard; Michel Kenne,又名Photo-Kmichel和Gaspard Vincent Tatang,别名Tagavince。他们和他们的作品是许多非洲摄影师的一个例子,他们的作品可以存档,但可能不会。如果我们知道一些著名的名字,如马利克西迪贝,但没有文森特塔唐,这是尽可能多的机会,因为其他任何东西。这是对一个可能但尚未实现的档案的探索。我们可以称之为档案路径没有采取。
In this article, I explore the biographies of three professional black-and-white photographers of the 1970s from Batcham, West Cameroon. They are Edouard Fofou, alias Photo-Edouard; Michel Kenne, also known as Photo-Kmichel and Gaspard Vincent Tatang, alias Tagavince. They and their work stands as an example of the very many African photographers whose work could be archived but probably will not be. If we know of a few celebrated names like Malik Sidibe but not Vincent Tatang it is as much by chance as anything else. This then is an exploration of a possible but unrealized archive. What we could call an archival path not taken.