TO SONIFICATION : REPRESENTATION AND THE EVOLUTION OF MUSIC AND LANGUAGE
TO SONIFICATION : REPRESENTATION AND THE EVOLUTION OF MUSIC AND LANGUAGE
复制标题
声音化：音乐和语言的表现和演变
DOI：
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发表时间：
2017
期刊：
影响因子：
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通讯作者：
S. Taylor
中科院分区：
文献类型：
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作者：
S. Taylor
对音乐和语言起源的研究可以为音乐表现提供新的线索，包括程序音乐和更近的化身，如数据发声。虽然发声法和标题音乐有不同的目的一个是科学的解释，另一个是艺术的表达，但相似的技术，依赖于人类和动物的生物学，认知和文化，两者都是基础。例子包括西方作曲家，如贝多芬和柏辽兹，到最近的人物，如梅西安，斯托克豪森和汤姆约翰逊，以及音乐理论，符号学，生物学，和数据sonifications由我和其他人。连接这些不同例子的共同线索是使用人类音乐性，在生物音乐学意义上，代表。音乐性和表现力之间的联系--高/低、长/短、近/远等维度，连接真实的和抽象的-可以证明是有用的研究人员，音响设计师和作曲家。
Research into the origins of music and language can shed new light on musical representation, including program music and more recent incarnations such as data sonification. Although sonification and program music have different aims—one scientific explication, the other artistic expression—similar techniques, relying on human and animal biology, cognition, and culture, underlie both. Examples include Western composers such as Beethoven and Berlioz, to more recent figures like Messiaen, Stockhausen and Tom Johnson, as well as music theory, semiotics, biology, and data sonifications by myself and others. The common thread connecting these diverse examples is the use of human musicality, in the biomusicological sense, for representation. Links between musicality and representation—dimensions like high/low, long/short, near/far, etc., bridging the real and abstract—can prove useful for researchers, sound designers, and composers.