Personality Projection in the Drawing of the Human Figure
Personality Projection in the Drawing of the Human Figure
复制标题
人物画中的个性投射
DOI：
10.1037/11147-000
复制
发表时间：
1978
期刊：
影响因子：
--
通讯作者：
K. Machover
中科院分区：
文献类型：
--
作者：
R. H. Gault;K. Machover
我们知道，个性不是在真空中形成的，而是通过特定身体的运动、感觉和思考形成的。探索动机的保护性方法反复揭示了无法在直接交流中表现出来的自我表达的深层、也许是无意识的决定因素。可以肯定地说，所有的创造性活动都带有冲突的特定印记，都有施加在创造个体身上的需求。“画一个人”所引发的活动确实是一种创造性的体验，这一点将由正在画画的个人来证明。对绘画人物的广泛而集中的经验表明，所画的人物与正在绘画的个人的个性之间存在着密切的联系。（PsycINFO数据库记录(c) 2016 APA，版权所有）
Personality, we know, does not develop in a vacuum, but through the movement, feeling, and thinking of a specific body. Protective methods of exploring motivations have repeatedly uncovered deep and perhaps unconscious determinants of self-expression which could not be made manifest in direct communication. It is safe to assume that all creative activity bears the specific stamp of conflict and needs pressing upon the individual who is creating. The activity elicited in response to" draw a person" is indeed a creative experience, as will be testified by the individual who is drawing. Wide and concentrated experience with drawings of the human figure indicates an intimate tie-up between the figure drawn and the personality of the individual who is doing the drawing.(PsycINFO Database Record (c) 2016 APA, all rights reserved)