A Vaisnava Poet in Early Modern Bengal

A Vaisnava Poet in Early Modern Bengal
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现代早期孟加拉的一位外士那瓦诗人

DOI:
10.1093/oso/9780198827108.001.0001
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发表时间:
2018
期刊:
Oxford Scholarship Online
影响因子:
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通讯作者:
Rembert Lutjeharms
Rembert Lutjeharms
中科院分区:
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文献类型:
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作者:
Rembert Lutjeharms

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这本书通过对16世纪最重要的Caitanya VaiṣṇAva诗人和神学家之一KavikarṇAPūra的梵文诗歌作品的详细研究,考察了受ṛṣṇrṇKūa Caitanya(1486年至1533年)启发的虔诚的VaiṣṇAva传统中的诗歌实践。它将他的思想放在梵文文学理论(通过探索他使用早期梵语批评作品)和VaiṣṇAva神学(通过追溯他的神学思想的起源到早期VaiṣṇAva教师,特别是他的上师ŚrīnāThA)的背景下。卡维卡ṇapūra的诗学和他的诗歌风格在许多方面都与他那个时代的诗歌风格不符,特别是在拼音装饰和拉萨的地方。像后来的早期现代理论家一样,kavikarṇapūra追溯到最早的梵语诗人,他试图将他们与他那个时代的理论协调起来,开发出一种新的诗学,既重视文学装饰,也重视通过rasa表达情感。本书认为,KavikarṇAPūra的文学创新的原因和目的牢牢植根于他独特的VaiṣṇAva神学,并通过仔细阅读《南达-vṛ和āVana》中的精选段落来例证这一点,他诗意地复述了Kṛṣṇa在Vṛ和āVana中的戏剧。
This book examines the practice of poetry in the devotional Vaiṣṇava tradition inspired by Śrī Kṛṣṇa Caitanya (1486–1533), through a detailed study of the Sanskrit poetic works of Kavikarṇapūra, one of the most significant sixteenth‐century Caitanya Vaiṣṇava poets and theologians. It places his ideas in the context both of Sanskrit literary theory (by exploring his use of earlier works of Sanskrit criticism) and of Vaiṣṇava theology (by tracing the origins of his theological ideas to earlier Vaiṣṇava teachers, especially his guru Śrīnātha). Both Kavikarṇapūra’s poetics as well as the style of his poetry is in many ways at odds with those of his time, particularly with respect to the place of phonetic ornamentation and rasa. Like later early modern theorists, Kavikarṇapūra reaches back to the earliest Sanskrit poeticians whom he attempts to harmonize with the theories current in his time, to develop a new poetics that values both literary ornamentation and the suggestion of emotion through rasa. This book argues that reasons of and purposes for Kavikarṇapūra’s literary innovations are firmly rooted in his unique Vaiṣṇava theology, and exemplifies this through a careful reading of select passages from the Ānanda‐vṛndāvana, his poetic retelling of Kṛṣṇa’s play in Vṛndāvana.